AI Appraisal Estimate

AI-generated estimates · not official valuations

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Submitted item photo
Submitted photo · June 6, 2026

User's notes

Made in England

AI analysis below

AI appraisal

AI analysis & estimate

AI-Generated · Verify before acting

Everything below is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

Note

This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

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AI Identification

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Wedgwood Pale Blue Jasperware Bud Vase with Cherub and Foliate Relief

Decorative Arts/Ceramics

AI Estimated Value

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$25-45

As of June 6, 2026

AI Item Analysis

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This is a Wedgwood Jasperware bud vase, characterized by its distinctive matte, unglazed ceramic body in a pale blue (often referred to as 'pale blue' or 'celadon' depending on the specific shade, though more commonly 'pale blue' Jasperware). The vase has a classic bulbous base that tapers upwards to a narrow, fluted neck and rim. The upper part of the neck features vertical fluting, adding a refined detail. The most prominent decorative elements are the applied white bas-relief figures and foliage, which are characteristic of Wedgwood Jasperware. On one side, there is a detailed depiction of a cherub or putto figure, possibly Eros or Cupid, holding a bow and arrow or similar implement, standing amidst or beside a branch with leaves. Opposite this, and vertically flanking the vase, are two symmetrical columns of white applied foliate designs, likely depicting laurel or olive branches, running from the base of the fluted neck down towards the wider body. The white relief contrasts sharply and elegantly with the blue background. The vase appears to be relatively small, consistent with a bud vase, held comfortably in a person's hand. The overall condition appears to be good, with no visible chips, cracks, or significant wear captured in the image. The matte finish seems intact, and the white relief is crisp and well-defined, indicative of quality craftsmanship. Given the classic Jasperware style and the 'Made in England' context, this piece likely dates from the late 19th century to the mid-20th century, a period when Wedgwood Jasperware was highly popular and widely produced. The lack of visible manufacturing marks in this image prevents a more precise dating or identification of a specific pattern name, but the style is undeniably Wedgwood.

AI Appraisal Report

·AI can make mistakes·Verify before acting
Based on my examination of the provided images, this Wedgwood Pale Blue Jasperware Bud Vase is a fine example of the company's iconic ceramic art. The piece exhibits the classic unglazed, matte jasper body with applied white bas-relief decoration. The craftsmanship appears to be of high quality, with crisp details in the Cherub (or Cupid) figure and the flanking foliate designs. The fluted neck is a particularly elegant feature. Based on the style and 'Made in England' mark, I can confidently date this piece to the 20th century, likely pre-1970. The condition appears to be very good, with no visible chips, cracks, or staining, which is crucial for its value. The market for Wedgwood Jasperware is well-established but can be saturated with more common forms. This bud vase, while a popular item, remains consistently in demand by collectors. Recent auction results and online marketplace sales for similar Wedgwood pale blue jasperware bud vases of this era and in comparable condition typically fall within the $25 to $50 range. Its value is supported by its aesthetic appeal and the enduring brand recognition of Wedgwood. It is important to note the limitations of this appraisal, as it is based solely on images. A definitive authentication requires in-person examination to inspect the base for specific maker's marks, date codes, and any potential restorations not visible in photographs. Without physical inspection, I cannot fully guarantee its authenticity or rule out a high-quality reproduction, though it presents all the characteristics of a genuine Wedgwood piece.

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