Jon Corbino Landscape Lithograph Print

This item is a horizontal landscape print on board or heavy paper, identified by the signature 'Corbino' in the lower-left corner, attributing it to the Italian-American artist Jon Corbino (1905–1967). The artwork depicts a serene coastal scene, likely Mediterranean in inspiration, featuring a prominent, stylized stone pine tree (Pinus pinea) with a flattened, umbrella-like canopy. The tree is situated on a rocky outcropping in the foreground. In the mid-ground, small fishing boats are scattered on calm water, reflecting a diffused, silvery light from a cloudy sky. A silhouette of a distant island or headland is visible under the atmospheric, overcast heavens. The color palette is composed of muted greens, earth tones, and cool greys, typical of mid-20th-century decorative lithography. The construction appears to be a mechanical reproduction rather than an original oil painting, as the surface lacks significant impasto or brushwork texture. The condition shows minor edge wear and light surface abrasions consistent with age, likely dating from the 1950s or 1960s. There is no visible frame, and the piece shows a flat matte finish typical of mass-produced artist prints from the period.

I have conducted a visual examination of the landscape print attributed to Jon Corbino. The work depicts a coastal scene featuring a Mediterranean stone pine, rendered in the artist's characteristic mid-century style. Upon close inspection of the surface characteristics, the lack of impasto, uniform matte finish, and substrate mounting indicate this is a mass-produced offset lithographic reproduction rather than a hand-pulled artist’s proof or an original oil on canvas. The condition is fair to good, with visible edge wear and surface abrasions typical of 1950s-1960s decorative works housed without protective glazing. Jon Corbino was a highly respected member of the National Academy, and while his original oils can fetch several thousand dollars at auction, the market for his mechanical reproductions is significantly more modest. These prints were widely distributed by companies like Associated American Artists or similar decor publishers to a mid-market audience. The 'Corbino' signature is part of the print matrix and not a hand-signed pencil autograph, which limits its appeal to serious collectors of fine art multiples. Comparables for unsigned, decorative Corbino lithographs sold in vintage marketplaces typically fall within the sub-$200 range. Limitations: This appraisal is based solely on digital images. A definitive determination of the printing process (e.g., distinguishing between a high-quality lithograph and a later period photomechanical print) requires a microscopic examination of the dot pattern. To fully authenticate the work's historical lineage, one would need to inspect the verso for gallery labels, publisher stamps, or provenance documentation. This value reflects the current secondary market for mid-century decorative prints in their present condition.