Abstract Lithograph in the style of Zao Wou-Ki
Fine Art - Prints and Multiples

Abstract Lithograph in the style of Zao Wou-Ki

This item is an abstract work of art, likely a lithograph or etching on paper, framed under glass. The composition features a complex, ethereal landscape of calligraphic lines and atmospheric washes of color, characteristic of the Lyrical Abstraction movement. The palette consists of soft pinks, oranges, and earthy browns contrasted against a pale, neutral background. Fine, kinetic black lines traverse the center of the piece, suggesting the influence of traditional Chinese ink wash painting synthesized with mid-20th-century Western modernism. The work appears to be housed in a dark, wide-profile wooden frame with a neutral-toned mat board. The scale is modest to medium, typical for a printed edition. Regarding condition, the paper appears flat with no immediate signs of significant foxing or water damage, though the low image quality precludes a definitive assessment of the paper's edge or acidity. Zao Wou-Ki's work from the 1950s-1970s often utilized this delicate balance of empty space and energetic mark-making. The craftsmanship is evidenced by the layered transparency of the colors, which suggests high-quality printmaking techniques or original watercolor applications. If authentic and signed, this would represent a significant piece of post-war abstract art.

Estimated Value

$15,000 - $25,000

Basic Information

Category

Fine Art - Prints and Multiples

Appraised On

February 11, 2026

Estimated Value

$15,000 - $25,000

Additional Details Provided By Owner

User Provided Information

zao wouki

Item Description

This item is an abstract work of art, likely a lithograph or etching on paper, framed under glass. The composition features a complex, ethereal landscape of calligraphic lines and atmospheric washes of color, characteristic of the Lyrical Abstraction movement. The palette consists of soft pinks, oranges, and earthy browns contrasted against a pale, neutral background. Fine, kinetic black lines traverse the center of the piece, suggesting the influence of traditional Chinese ink wash painting synthesized with mid-20th-century Western modernism. The work appears to be housed in a dark, wide-profile wooden frame with a neutral-toned mat board. The scale is modest to medium, typical for a printed edition. Regarding condition, the paper appears flat with no immediate signs of significant foxing or water damage, though the low image quality precludes a definitive assessment of the paper's edge or acidity. Zao Wou-Ki's work from the 1950s-1970s often utilized this delicate balance of empty space and energetic mark-making. The craftsmanship is evidenced by the layered transparency of the colors, which suggests high-quality printmaking techniques or original watercolor applications. If authentic and signed, this would represent a significant piece of post-war abstract art.

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