Commercial Illustration Label Mockups for 'Nature's Choice'

A set of three hand-drawn commercial illustration mockups on paper, created by Monika Adams on November 3, 1981, for a project at Shawnee State University (SSU) under the instruction of Debbi van Warmer. The pieces consist of two primary container labels and one neck-style band, likely intended for a wine or natural beverage product. The illustrations feature a consistent trellis or arbor motif with black diagonal latticework, accented by green vine-like elements and delicate floral or grape-like drops. The center-left label contains the handwritten brand name 'Nature's Choice' in a serif font, while the middle label provides a template for ingredients or nutrition facts with horizontal lines. The third smaller label on the right features a circular logo with a botanical illustration and the date '1982'. The artwork is rendered using ink and possibly colored pencil on cream-colored cardstock. The condition shows significant foxing and moisture staining along the lower horizontal edge of the mounting sheet, suggesting long-term storage in a humid environment. Despite the aging of the paper support, the colors and fine lines of the illustrations remain legible. This serves as a significant record of student commercial design work from the early 1980s.

I have examined the digital representations of the 'Nature's Choice' commercial illustration mockups by Monika Adams, dated 1981. These hand-drawn pieces represent a specific era of pre-digital graphic design instruction at Shawnee State University. The aesthetic value lies in the delicate trellis motif and the precise hand-lettering typical of early 1980s commercial art curriculum. My visual inspection confirms significant condition issues, specifically heavy foxing and moisture staining along the bottom edge of the mounting card, which negatively impacts the market value by roughly 40-50%. The market for student-level commercial illustration is niche, generally appealing to alumni collectors or regional design historians. While the provenance is clearly established via the handwritten credits to Adams and Instructor Debbi van Warmer, this remains a localized collectible rather than a piece of high-market fine art. Based on recent sales of mid-century and late-century commercial mockups of similar scale and obscurity, a valuation in the $150 to $300 range is appropriate. Limitations: This appraisal is based solely on digital images. A physical inspection is necessary to determine if the staining is active mold or stable foxing, and to verify the medium (e.g., ink vs. xerographic transfer). To fully authenticate this as a primary source document, I would require access to the SSU curriculum archives or direct verification of the artist’s enrollment and the instructor's tenure during the 1981-1982 period.