
Framed Etching of a Cityscape with Steeple
This item is a framed etching, likely a 'view' or 'veduta,' depicting a detailed cityscape dominated by a tall, ornate church steeple. The print appears to be a monochromatic rendering, executed in black ink on off-white or cream-colored paper, typical of etchings. The artwork is housed under glass within a simple, narrow black frame, which exhibits clean lines and a contemporary or classic minimalist aesthetic. A wide, light-colored mat board, possibly cream or off-white, is used to separate the print from the frame, providing ample visual space and protection for the artwork. The print itself captures architectural details, including windows, facades, and possibly figures or street activity at the base of the buildings, though these elements are less clear due to resolution. The technique suggests drypoint or etching, characterized by fine lines and potential plate tone in the sky areas, indicating a skilled hand. Visible at the bottom of the print, what appears to be a title in script 'The S_._ _ _ _ _ _ Line' and a signature 'J.F. O'Connor' are present, confirming the artist and possibly the specific location depicted. No obvious damage such as tears or significant foxing is visible on the print itself, though minor dust or reflections are present on the glass. The frame appears to be in good condition, with no visible chips or scuffs. The overall presentation suggests a well-preserved piece, possibly from the late 19th or early 20th century, a common period for urban landscape etchings.
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Estimated Value
$200-400
Basic Information
Category
Framed Art Print
Appraised On
October 26, 2025
Estimated Value
$200-400
Item Description
This item is a framed etching, likely a 'view' or 'veduta,' depicting a detailed cityscape dominated by a tall, ornate church steeple. The print appears to be a monochromatic rendering, executed in black ink on off-white or cream-colored paper, typical of etchings. The artwork is housed under glass within a simple, narrow black frame, which exhibits clean lines and a contemporary or classic minimalist aesthetic. A wide, light-colored mat board, possibly cream or off-white, is used to separate the print from the frame, providing ample visual space and protection for the artwork. The print itself captures architectural details, including windows, facades, and possibly figures or street activity at the base of the buildings, though these elements are less clear due to resolution. The technique suggests drypoint or etching, characterized by fine lines and potential plate tone in the sky areas, indicating a skilled hand. Visible at the bottom of the print, what appears to be a title in script 'The S_._ _ _ _ _ _ Line' and a signature 'J.F. O'Connor' are present, confirming the artist and possibly the specific location depicted. No obvious damage such as tears or significant foxing is visible on the print itself, though minor dust or reflections are present on the glass. The frame appears to be in good condition, with no visible chips or scuffs. The overall presentation suggests a well-preserved piece, possibly from the late 19th or early 20th century, a common period for urban landscape etchings.
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