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Submitted photo · June 6, 2026
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AI analysis below
AI appraisal
AI analysis & estimate
AI-Generated · Verify before acting
Everything below is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.
This item is a framed art print by Bev Doolittle, identified from the text "Lot #: 232 - Bev Doolittle print" visible at the top of the image. The print features two distinct images, likely part of a single composition or a related diptych, displayed side-by-side within a single frame. Each image depicts what appears to be Indigenous figures, possibly warriors or chiefs, adorned with elaborate headdresses and traditional attire, seated astride horses. The style suggests a Native American theme, characteristic of Doolittle's work which often incorporates camouflaged elements and naturalistic settings. Below the two main images, there is a smaller, rectangular inset within the matting that appears to contain a horizontally oriented design or possibly a signature/title plaque, although details are not clearly discernible. The artwork is housed within a brown, possibly wooden, rectangular frame with a smooth finish. It is matted with a light-colored, likely off-white or beige, mat board that provides a border around the prints and the lower inset. A ruler is visible behind the framed piece, suggesting a length of approximately 24-25 inches from the visible markings ('NG SUPPLY' text). The overall condition appears good from the visible angles, with no obvious major damage to the frame or mat. The presence of a red sticker on the upper right corner of the frame might indicate an auction lot tag or a price tag. The craftsmanship of the framing appears standard. Given the artist's reputation, this print is likely a limited edition or a high-quality reproduction.
AI Appraisal Report
·AI can make mistakes·Verify before acting
Upon examining the provided image of the Bev Doolittle framed print, identified as Lot #232, I have conducted an appraisal based on its visual characteristics. The item features a diptych-style presentation of two images depicting Native American figures on horseback, characteristic of Doolittle's popular 'camouflage art' style. The piece appears to be professionally matted and framed, and its overall condition seems good, with no visible signs of significant damage to the print, mat, or frame. The title of the work is not visible, which is a critical factor, but the composition strongly suggests it is one of her well-known pieces like 'The Forest Has Eyes' or a similar work.
My valuation is based on current market conditions for secondary market prints by this artist. Unsigned, open-edition prints typically have decorative value, while signed and numbered limited editions command significantly higher prices. The presence of a lower inset suggests this could be a more deluxe edition, possibly with a remarque or title plaque. However, without inspecting this element closely, its nature and impact on value are unknown. Comparables for similar framed, unsigned Bev Doolittle prints generally sell in the $75 to $150 range at auction and online marketplaces. Signed and numbered editions can range from $250 to over $1,000, depending on the specific title, edition size, and condition.
Limitations: This appraisal is provisional, as a physical inspection is required for full authentication. I cannot confirm if the print is a genuine limited edition, if it is signed or numbered, or if it has a Certificate of Authenticity—all of which are crucial for establishing a higher value. Verifying these details in person, checking for a signature and edition number, and examining the print quality under magnification are necessary next steps.