
Chinese Ink Wash Landscape Painting on Silk
This is a traditional Chinese landscape painting executed in monochromatic ink wash on a silk or fine paper substrate, subsequently mounted on a larger paper backing. The composition displays a classic mountainous vista featuring a prominent craggy vertical peak, a cascading waterfall, and a small hut nestled in the foreground hills. A lone figure is visible crossing a bridge to the right, adding a human element to the vast nature scene. The upper right corner contains a vertical calligraphic inscription accompanied by two distinct red vermilion artist seals. The artwork utilizes varying tones of black and gray ink to create depth and texture, showing skillful brushwork in the pine needles and rock formations. Regarding condition, the piece shows significant signs of age and handled wear. There is noticeable yellowing and foxing (brown spotting) throughout the mounting paper and the image itself. Significant creasing is visible across the center, likely from previous rolling or folding, and there are areas of paper loss and small tears along the edges of the backing board. A small white adhesive label or sticker remnant is located in the bottom right corner of the mount. The style is reminiscent of the Qing Dynasty or early 20th-century Republic period, emphasizing atmospheric perspective and scholar-official artistic traditions.
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Estimated Value
$400 - $700
Basic Information
Category
Fine Art - East Asian Painting
Appraised On
December 21, 2025
Estimated Value
$400 - $700
Item Description
This is a traditional Chinese landscape painting executed in monochromatic ink wash on a silk or fine paper substrate, subsequently mounted on a larger paper backing. The composition displays a classic mountainous vista featuring a prominent craggy vertical peak, a cascading waterfall, and a small hut nestled in the foreground hills. A lone figure is visible crossing a bridge to the right, adding a human element to the vast nature scene. The upper right corner contains a vertical calligraphic inscription accompanied by two distinct red vermilion artist seals. The artwork utilizes varying tones of black and gray ink to create depth and texture, showing skillful brushwork in the pine needles and rock formations. Regarding condition, the piece shows significant signs of age and handled wear. There is noticeable yellowing and foxing (brown spotting) throughout the mounting paper and the image itself. Significant creasing is visible across the center, likely from previous rolling or folding, and there are areas of paper loss and small tears along the edges of the backing board. A small white adhesive label or sticker remnant is located in the bottom right corner of the mount. The style is reminiscent of the Qing Dynasty or early 20th-century Republic period, emphasizing atmospheric perspective and scholar-official artistic traditions.
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