
Japanese Imari-Style Porcelain Charger
This is a decorative ceramic charger featuring a classic Japanese Imari-style palette, characterized by the heavy use of underglaze cobalt blue, iron-red enamel, and gold gilt highlights. The design features a large central lobed reserve (kiri-mon shape) containing a Ho-o bird (phoenix) in flight amidst blossoming peonies and bamboo, representing longevity and nobility. The border is densely decorated with alternating panels of floral chrysanthemums and scrolling foliate patterns (karakusa) against vibrant red and deep blue fields. The construction is of fine hard-paste porcelain with a smooth, glazed finish. The craftsmanship shows high-quality hand-painted details, particularly in the fine gold line work and the shading of the flower petals. Condition appears to be excellent with no visible cracks or significant chips, though there is minor loss to the gilding on the outer rim consistent with gentle handling. This piece likely dates from the late 20th century, specifically the Showa or early Heisei era, as a high-quality revival of traditional Edo period motifs. The underside likely contains an overglaze red or blue mark, though it is not visible here. The color saturation is consistent, and the overglaze enamels remain crisp and glossy.
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Estimated Value
$300-$500
Basic Information
Category
Fine Art Ceramics & Porcelain
Appraised On
January 21, 2026
Estimated Value
$300-$500
Item Description
This is a decorative ceramic charger featuring a classic Japanese Imari-style palette, characterized by the heavy use of underglaze cobalt blue, iron-red enamel, and gold gilt highlights. The design features a large central lobed reserve (kiri-mon shape) containing a Ho-o bird (phoenix) in flight amidst blossoming peonies and bamboo, representing longevity and nobility. The border is densely decorated with alternating panels of floral chrysanthemums and scrolling foliate patterns (karakusa) against vibrant red and deep blue fields. The construction is of fine hard-paste porcelain with a smooth, glazed finish. The craftsmanship shows high-quality hand-painted details, particularly in the fine gold line work and the shading of the flower petals. Condition appears to be excellent with no visible cracks or significant chips, though there is minor loss to the gilding on the outer rim consistent with gentle handling. This piece likely dates from the late 20th century, specifically the Showa or early Heisei era, as a high-quality revival of traditional Edo period motifs. The underside likely contains an overglaze red or blue mark, though it is not visible here. The color saturation is consistent, and the overglaze enamels remain crisp and glossy.
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