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Submitted photo · June 20, 2026

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AI appraisal

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Everything below is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

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AI Identification

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Pair of Large Vintage Chinese Porcelain Bisque 'Good Fortune' Children Figurines on Rattan Vanity Stool

Asian Decorative Arts & Collectibles

AI Estimated Value

·Not an official valuation·Verify before acting

$450 - $650

As of June 20, 2026

AI Item Analysis

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This ensemble features a matching pair of large-scale Chinese ceramic figurines, commonly referred to as 'Good Fortune' or 'Prosperity' children, seated atop a decorative rattan and bamboo stool. The figurines are crafted from heavy porcelain with a matte bisque finish on the skin areas, providing a lifelike texture. They are dressed in ornate traditional Chinese robes featuring a high-gloss glazed finish with intricate floral and scroll patterns in deep burgundy, cream, and ochre tones. The figures represent a boy and a girl with characteristic black molded hair and delicately painted facial features, including rosy cheeks and expressive eyes. Each figure measures approximately 12 to 15 inches in height. The accompanying stool is a scroll-ended vanity seat constructed from faux-bamboo tortoiseshell-stained rattan frame with a woven cane top and a small lower storage shelf. Regarding condition, the figurines appear to be well-preserved with no immediate signs of large chips or structural cracks, though typical shelf wear on the unglazed bases is expected. The rattan stool shows a warm patina consistent with mid-to-late 20th-century manufacture; however, some light scuffing is visible along the curved edges and legs. The level of detail in the hand-painted textile patterns on the figures indicates a higher production quality, likely intended for the export market during the 1970s-1980s. The set as a whole exhibits a Hollywood Regency or Chinoiserie aesthetic, blending traditional Asian iconography with mid-century decorative furniture styles.

AI Appraisal Report

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I have completed a visual examination of the pair of 'Good Fortune' (Cai Tong) porcelain bisque figurines and the accompanying rattan vanity stool. These items represent a classic example of late 20th-century Chinoiserie export ware, specifically popular in the 1970s and 1980s. The figurines exhibit high craftsmanship for the period, utilizing a sophisticated contrast between matte bisque skin and polychrome glazed textiles. The hand-painted 'Mille Fleur' and scroll patterns on the robes suggest a higher-tier manufacture for the decorative arts market. The condition appears Excellent; the lack of visible losses to the 'fingers' of the figures—a common break point—indicates careful handling. The accompanying faux-bamboo stool adds significant value, positioning this as a complete 'statement piece' within the Hollywood Regency aesthetic. Market demand for Chinoiserie remains stable, though price realization is heavily dependent on the scale; at 12-15 inches, these are considered 'cabinet-sized' or large-scale, which increases their desirability compared to smaller 6-inch versions. This appraisal is based on recent auction realizations for similar export porcelain pairs and vintage rattan furniture. Limitations: This evaluation is based on photographic evidence only. In-person inspection is required to check for professional repairs (often hidden with UV-fluorescent paint) and to verify if any manufacturer marks exist under the unglazed bases. Authenticity as a 20th-century export is certain; however, a physical inspection would confirm the density of the ceramic and the absence of structural stress fractures within the stool’s cane weaving.

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