Lustre-finish figural sculpture of The Last Supper

This item is a horizontal figural sculpture depicting the biblical scene of The Last Supper, stylistically consistent with the famous composition by Leonardo da Vinci. The piece features thirteen figures seated behind a long table, mounted on a rectangular base with a tiled-pattern floor. The sculpture appears to be made of a molded material, possibly resin, plaster, or ceramic, finished with an iridescent or pearlescent cream-colored glaze that gives it a subtle metallic lustre. The figures are rendered with moderate detail, showing draped clothing and expressive gestures. The base measures several inches in length, and the overall construction suggests a mass-produced decorative religious object likely dating from the mid-to-late 20th century. There are no visible maker's marks, signatures, or brands on the front or sides of the piece, so its origin remains unverified. Condition appears generally good with no visible chips or fractures, although there is a slight darkening or patina along the bottom edge of the base. The identification is based on the iconographical similarity to traditional Christian art, as no identifying text is present.

Based on the provided image, I have examined this horizontal figural sculpture depicting The Last Supper. From what I can see, the piece appears to be a mid-to-late 20th-century religious decorative object executed in a molded material such as resin or ceramic with a lustrous pearlescent finish. I cannot verify the specific material or potential manufacturer from a photo alone, as a physical inspection would be required to determine if the substrate is plaster, composite, or porcelain. The estimated value range of $40–$85 assumes this is a mass-produced decorative item from a known producer of religious collectibles, such as those found in mid-century giftware catalogues. The condition appears stable, though the darkening at the base could indicate surface wear or moisture absorption depending on the material. Because no maker's marks were identified, this attribution is a hypothesis; should the piece be identified as a generic, unattributed replica or a modern cast-resin copy, the value would likely fall toward the lower end of the spectrum, perhaps $20–$30. General market demand for iridescent religious figurines remains consistent for home devotional use, though it lacks the high-end collector interest associated with specific art houses. To confirm a more precise identification, I would need to perform an in-person examination to search for recessed marks on the underside and check for weight and resonance to determine the material. Documentation regarding its purchase history or original packaging would also be necessary to move beyond this working assumption. Without such evidence, the value resides primarily in its decorative and iconographic appeal rather than any investment-grade provenance.