AI Appraisal Estimate

AI-generated estimates · not official valuations

From the user

What was submitted

Photo and notes provided by the user — not generated by AI

Submitted item photo
Submitted photo · June 6, 2026

User's notes

Framed arts, Hawaii , Kevin Brewer

AI analysis below

AI appraisal

AI analysis & estimate

AI-Generated · Verify before acting

Everything below is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

Note

This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

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AI Identification

·Not independently authenticated·Verify before acting

Montana Tradition Hand-Carved Duck Decoy by Mibba Burgess

Decorative Arts/Folk Art

AI Estimated Value

·Not an official valuation·Verify before acting

$250-400

As of June 6, 2026

AI Item Analysis

·AI can make mistakes·Verify before acting
This item is a decorative hand-carved and painted duck decoy, likely crafted from wood. The main body of the duck is painted in shades of grey and white, suggesting a realistic portrayal of a waterfowl species. The head of the duck, visible in the smaller inset image, appears to be painted with distinct red and dark tones, indicating the species might be a male Canvasback or a similar type of duck. The decoy rests on an oval-shaped, light-colored wooden base that exhibits a visible wood grain and a somewhat rustic finish. The underside of the base features handwritten inscriptions in what appears to be black marker or paint, reading "Montana Tradition" and what looks like a signature "Mibba Burgess" followed by a date "2000". There is also a circular sticker on the base, partially visible, which seems to have patriotic colors (red, white, blue) and text, possibly indicating "Made in USA" or a similar manufacturing origin. The base is attached to the decoy, possibly with screws, as indicated by four visible circular indentations or fasteners on the underside. Two orange stickers with handwritten numbers are also affixed to the base, likely inventory or auction tags (one displays '89'). The overall impression is one of a well-preserved piece of folk art, with minor wear consistent with its age and use as a decorative item rather than a functional hunting decoy. The craftsmanship appears to be of good quality, with attention to detail in the carving and painting of the duck, making it a collectible piece.

AI Appraisal Report

·AI can make mistakes·Verify before acting
This appraisal is for a hand-carved and painted decorative duck decoy, signed 'Mibba Burgess' and dated '2000', identified as part of the 'Montana Tradition'. Based on my visual examination of the provided images, the piece appears to be in very good, well-preserved condition. The carving shows a good level of skill, and the paintwork, especially on the head details, is competently executed, suggesting the hand of an experienced carver. The signature and date appear consistent with a modern folk art piece. The market for contemporary decorative decoys is active, though values can vary significantly based on the carver's reputation. Mibba Burgess is a known carver from Montana, and pieces from the 'Montana Tradition' are collectible. Comparables from this carver and others of similar standing typically sell in the low to mid-hundreds. The specific species, likely a Canvasback, and the quality of this example place it favorably within that market. The primary factor influencing value here is the maker's name. The condition is a strong positive, with only minor wear noted. The current market demand for works by known, regional American folk artists is steady. However, this appraisal is limited by being based solely on images. Full authentication would require in-person examination to confirm the wood type, the construction methods, and the medium of the signature. Confirming the authenticity of the signature against known examples from Mibba Burgess would be critical. Without physical inspection and provenance documentation, I cannot definitively verify its authenticity, but all visual indicators suggest it is a genuine piece.

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