
Vera Effigies Sacri Vultus Domini Nostri Jesu Christi (True Image of the Holy Face of Our Lord Jesus Christ)
This is a 19th-century religious relic engraving, likely an official 'Vera Effigies' print issued by the Vatican. The image depicts the Holy Face of Jesus as traditionally shown on the Veil of Veronica, characterized by the closed eyes, crown of thorns, and facial wounds. It is printed on paper or silk and is framed in a period-appropriate carved wooden frame with a gilded inner beaded border. A highly significant feature is the original red wax seal at the top, which historically authenticated the item as having been touched to the original relic in St. Peter's Basilica. The borders are decorated with ornate metallic silver-tone lace or foil trim. The Latin inscription at the bottom confirms its origin from the Vatican Basilica. Regarding condition, there is visible foxing and dark staining (possibly water damage or organic growth) on the left side and top center. The paper shows age-related yellowing and slight rippling. The frame exhibits minor surface wear and dust accumulation consistent with its age, likely dating from the mid-to-late 1800s. The craftsmanship of the engraving is fine, utilizing detailed hatching and cross-hatching to create depth and sorrow in the portrait.
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Estimated Value
$1,200 - $1,800 USD
Basic Information
Category
Religious Artifacts / Antiques
Appraised On
May 7, 2026
Estimated Value
$1,200 - $1,800 USD
Item Description
This is a 19th-century religious relic engraving, likely an official 'Vera Effigies' print issued by the Vatican. The image depicts the Holy Face of Jesus as traditionally shown on the Veil of Veronica, characterized by the closed eyes, crown of thorns, and facial wounds. It is printed on paper or silk and is framed in a period-appropriate carved wooden frame with a gilded inner beaded border. A highly significant feature is the original red wax seal at the top, which historically authenticated the item as having been touched to the original relic in St. Peter's Basilica. The borders are decorated with ornate metallic silver-tone lace or foil trim. The Latin inscription at the bottom confirms its origin from the Vatican Basilica. Regarding condition, there is visible foxing and dark staining (possibly water damage or organic growth) on the left side and top center. The paper shows age-related yellowing and slight rippling. The frame exhibits minor surface wear and dust accumulation consistent with its age, likely dating from the mid-to-late 1800s. The craftsmanship of the engraving is fine, utilizing detailed hatching and cross-hatching to create depth and sorrow in the portrait.
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