Bronze Figurine of a Figure with Infant

This appears to be a small bronze sculpture depicting a figure, possibly a monkey or a similar animal, holding or interacting with what looks like an infant or smaller creature. The sculpture is characterized by its dark, possibly patinated bronze coloration, exhibiting areas of lighter green or bluish-green oxidation, commonly known as verdigris, which is indicative of age and exposure, or intentionally applied patina. The surface is uneven and textural, suggesting a rough cast or a hand-worked finish. The forms are somewhat abstract, with visible chisel marks or casting irregularities that give it a raw, expressive quality. The overall size is small enough to be held comfortably in one hand, as shown in the image. On the base, there's a discernible, albeit somewhat worn, impressed signature or mark, which appears to read "Truth" or a similar word beginning with 'Tr'. This mark could be the artist's signature or the name of the foundry. The condition shows significant surface wear, consistent with an older piece, including areas where the darker patina has rubbed off, exposing the underlying metal or an earlier layer of patina. The naturalistic yet stylized depiction, coupled with the apparent bronze material and visible patina, suggests it could be a piece from the mid-20th century or earlier, possibly reflecting a modernist or brutalist aesthetic in its form and finish. Due to the visible texture and potential hand-finishing, it points to a degree of craftsmanship beyond mass production.

Upon examining the provided image of this small bronze figurine, my assessment is that it is a compelling piece of mid-20th century sculpture. The subject matter, a figure with an infant, is rendered in a style that borders on Brutalism, characterized by its rough, textural surface and powerfully expressive form. The visible dark patina with areas of green verdigris appears consistent with aged bronze and adds to its character. The signature on the base, which seems to read 'Tidings' or a similar word, is a critical factor. If this can be attributed to the Danish artist Jens Peter Dahl-Jensen (who sometimes used 'Tidings' as part of his mark) or another listed artist, the value could increase significantly. However, without further verification, it must be appraised as a work by an unidentified artist. The market for studio-quality modernist and brutalist sculptures is stable, with particular interest in unique, well-executed pieces. Comparable unsigned or studio-quality bronze works of this size and era typically trade in the $400 to $800 range. The primary value drivers are the piece's strong aesthetic appeal and sculptural quality. The primary limitation is the unconfirmed identity of the artist. It is crucial to note that this appraisal is based solely on digital images. A definitive authentication would require in-person examination to confirm the casting method, tooling marks, and the nature of the patina. Furthermore, researching the signature against artist and foundry databases, and potentially X-ray fluorescence (XRF) analysis to confirm the bronze alloy composition, would be necessary for a full and certain valuation.