Etched Brass Tibetan Singing Bowl
This is a hand-crafted metal alloy singing bowl, predominantly composed of brass with a warm golden hue. The exterior is intricately decorated with multiple bands of etched and chased ornamentation. Around the rim, there is a classic Greek key or 'meander' geometric border. The central body of the bowl features a wide register containing highly stylized floral and leaf motifs, possibly representing lotus blossoms, which are significant in Himalayan art. This is followed by a narrow band of repeating geometric triangles. The bowl is hemispherical with a rounded bottom and a slightly inverted rim. Regarding its condition, the piece shows a significant aged patina with darkening in the recessed areas of the engraving, which helps define the pattern. There are visible surface scratches, minor indentations, and areas of oxidation consistent with age and regular use. The tool marks within the etched sections suggest hand-work rather than machine precision. While no specific maker’s mark is visible in this orientation, the style and craftsmanship are characteristic of mid-20th-century Himalayan or Tibetan exports. Its acoustic quality is likely clear and resonant, a hallmark of this specific bell-metal construction.
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Estimated Value
$40 - $80
Basic Information
Category
Cultural Artifacts and Musical Instruments
Appraised On
February 20, 2026
Estimated Value
$40 - $80
Item Description
This is a hand-crafted metal alloy singing bowl, predominantly composed of brass with a warm golden hue. The exterior is intricately decorated with multiple bands of etched and chased ornamentation. Around the rim, there is a classic Greek key or 'meander' geometric border. The central body of the bowl features a wide register containing highly stylized floral and leaf motifs, possibly representing lotus blossoms, which are significant in Himalayan art. This is followed by a narrow band of repeating geometric triangles. The bowl is hemispherical with a rounded bottom and a slightly inverted rim. Regarding its condition, the piece shows a significant aged patina with darkening in the recessed areas of the engraving, which helps define the pattern. There are visible surface scratches, minor indentations, and areas of oxidation consistent with age and regular use. The tool marks within the etched sections suggest hand-work rather than machine precision. While no specific maker’s mark is visible in this orientation, the style and craftsmanship are characteristic of mid-20th-century Himalayan or Tibetan exports. Its acoustic quality is likely clear and resonant, a hallmark of this specific bell-metal construction.
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