
Fuzzy on G.G. Bridge Exhibition Poster by Michael Leu
This item is an exhibition art poster entitled 'Fuzzy on G. G. Bridge,' created by the contemporary artist Michael Leu (b. 1950) for Gallery Leu in Santa Monica, California. The artwork features a whimsical, oversized feline character resting on a stylized rendition of the Golden Gate Bridge in San Francisco. The color palette is vibrant, dominated by a deep cobalt blue sky and water, contrasting with the iconic International Orange of the bridge and the pink and purple hues of the cat. The print exhibits Leu's signature neo-expressionist and fauvist influence with bold lines and expressive brushwork. The physical piece is housed in a simple black thin-profile frame with no visible matting. Notable markings include the artist's printed name in bold san-serif font and a possible pencil signature or date reading '92' in the lower right margin, suggesting an early 1990s production. Condition-wise, the paper shows some gentle rippling (cockling) behind the glass, which is common for framed posters without rigid backing. There is also a small piece of light-colored debris or a possible surface abrasion visible in the upper right sky area of the print. The craftsmanship of the offset lithography appears high, capturing the texture of the original paint.
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Estimated Value
$50 - $150
Basic Information
Category
Fine Art Prints and Posters
Appraised On
April 25, 2026
Estimated Value
$50 - $150
Item Description
This item is an exhibition art poster entitled 'Fuzzy on G. G. Bridge,' created by the contemporary artist Michael Leu (b. 1950) for Gallery Leu in Santa Monica, California. The artwork features a whimsical, oversized feline character resting on a stylized rendition of the Golden Gate Bridge in San Francisco. The color palette is vibrant, dominated by a deep cobalt blue sky and water, contrasting with the iconic International Orange of the bridge and the pink and purple hues of the cat. The print exhibits Leu's signature neo-expressionist and fauvist influence with bold lines and expressive brushwork. The physical piece is housed in a simple black thin-profile frame with no visible matting. Notable markings include the artist's printed name in bold san-serif font and a possible pencil signature or date reading '92' in the lower right margin, suggesting an early 1990s production. Condition-wise, the paper shows some gentle rippling (cockling) behind the glass, which is common for framed posters without rigid backing. There is also a small piece of light-colored debris or a possible surface abrasion visible in the upper right sky area of the print. The craftsmanship of the offset lithography appears high, capturing the texture of the original paint.
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