
Japanese Ukiyo-e Bijin-ga Woodblock Print
This is a rectangular Japanese ukiyo-e woodblock print depicting a 'bijin' (beautiful woman) in a stylized pose. The figure is dressed in an elaborate multi-layered kimono featuring sophisticated 'bokashi' (color gradation) techniques on the grey and black sleeves, accented by white floral motifs, possibly plum blossoms or cherry blossoms. The color palette is earthy and traditional, utilizing rust-orange, cream, deep black, and muted grey tones. The subject is portrayed with classic Edo-period facial features, including a pale complexion, high hairline, and minimal facial detailing. This work is signed on the left margin with Japanese vertical calligraphy and a red artist's seal. Structurally, the print is housed in a professional off-white mat and a silver-toned beaded frame. The print appears to have some age-related toning/browning of the paper, particularly visible in the background field, which has shifted to a tan hue. There is slight waviness to the paper, suggesting it is not laid down. The precision of the line work in the hair and the delicate registration of the colors indicate high-quality craftsmanship, likely a mid-20th-century reprint of an earlier Edo period masterwork, such as those by Kaigetsudo Ando or Choshun, given the 'standing beauty' composition.
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Estimated Value
$450.00 - $650.00
Basic Information
Category
Fine Art - Asian Works of Art
Appraised On
March 5, 2026
Estimated Value
$450.00 - $650.00
Item Description
This is a rectangular Japanese ukiyo-e woodblock print depicting a 'bijin' (beautiful woman) in a stylized pose. The figure is dressed in an elaborate multi-layered kimono featuring sophisticated 'bokashi' (color gradation) techniques on the grey and black sleeves, accented by white floral motifs, possibly plum blossoms or cherry blossoms. The color palette is earthy and traditional, utilizing rust-orange, cream, deep black, and muted grey tones. The subject is portrayed with classic Edo-period facial features, including a pale complexion, high hairline, and minimal facial detailing. This work is signed on the left margin with Japanese vertical calligraphy and a red artist's seal. Structurally, the print is housed in a professional off-white mat and a silver-toned beaded frame. The print appears to have some age-related toning/browning of the paper, particularly visible in the background field, which has shifted to a tan hue. There is slight waviness to the paper, suggesting it is not laid down. The precision of the line work in the hair and the delicate registration of the colors indicate high-quality craftsmanship, likely a mid-20th-century reprint of an earlier Edo period masterwork, such as those by Kaigetsudo Ando or Choshun, given the 'standing beauty' composition.
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