Beningbrough Equestrian Sporting Print

This is a hand-colored antique engraving titled 'BENINGBROUGH,' depicting the famous 18th-century British Thoroughbred racehorse. The artwork features a bay horse in profile with a jockey wearing a blue jacket and tan breeches, set against a classic landscape containing a grand manor house and a racing post. The horse is depicted in a refined, stylized gait characteristic of late Georgian sporting art. Small text at the bottom left reads 'Sartorius del.' (likely referring to the artist John N. Sartorius), while the bottom right identifies the engraver, and a central publication line reads 'Published June 1st by J. Wheble Warwick Court.' This indicates the print originated from a sporting periodical such as 'The Sporting Magazine.' The piece is mounted in a textured brown mat with a modern protective plastic overlay. A gold-toned sticker on the matting states 'THIS ARTICLE IS GUARANTEED TO BE OVER 100 YEARS OLD,' suggesting a 19th-century or earlier production. The paper shows slight natural yellowing consistent with age, but the hand-applied watercolors remain distinct in hues of green, brown, and blue. The craftsmanship displays fine stippled and cross-hatched engraving techniques, providing depth to the horse's musculature and the cloudy sky.

I have completed a visual assessment of the hand-colored engraving titled 'BENINGBROUGH,' after John N. Sartorius. The print originates from 'The Sporting Magazine,' a popular 18th- and 19th-century periodical published by J. Wheble. The plate showcases the hallmark stippled engraving style of the late Georgian period, with hand-applied watercolor washes. The condition appears fair to good for its age, noting expected paper toning and minor foxing. The vintage matting and 'over 100 years old' sticker suggest it was marketed as a collectible antique in the mid-20th century. Market demand for smaller periodical sporting prints has softened compared to the larger folio works by Herring or Alken. However, Sartorius remains a respected name among equestrian enthusiasts. Comparables for framed magazine plates of this size typically fluctuate between $100 and $300 depending on the subject matter and the quality of the hand-coloring. The 'Beningbrough' subject adds specific interest due to the horse’s historical significance in Thoroughbred pedigrees. While the visual characteristics—including plate marks and ink bleeding—align with an authentic 19th-century strike, I must note limitations. Digital images cannot verify paper thickness, watermarks, or the chemical composition of the pigments. A physical examination out of the frame would be required to confirm if the paper is wove or laid, to check for hidden tears at the margins, and to ensure the coloring is period-original rather than a later addition. Provenance documentation or a verified publication date from Wheble's archives would further solidify authenticity.