Troll Figure Appraisal

Pair of Hand-Carved Folk Art Figures (Troll and Alpine Woman)

This lot features two small, hand-carved wooden figures, likely representative of 'Alpine house figures' or whimsical characters often found in German or Nordic folk art traditions. The first figure, on the left, appears to be a troll or similar mythical creature. It is carved from light-colored wood, possibly pine or basswood, and exhibits a rough, textured surface, particularly on its 'hair' or upper body, which is stained a dark brown. The face is expressive with deep-set eyes, a prominent nose, and a visible mouth with what might be fangs or teeth, highlighted by the lighter natural wood color. The entire figure maintains the earthy tones of the wood itself, with some darker striations suggesting natural wood grain or intentional staining. There's a small, light-colored bead or pin embedded near the top of its head, indicating a possible past attachment point or a decorative element. The carving displays a rustic, almost primitive style, with visible tool marks contributing to its handcrafted appeal. The base of this figure shows carved feet or a stump-like structure. The second figure, on the right, is a more robust, stylized character, possibly a witch or an elderly woman, embodying a classic 'Alpine' aesthetic. This figure is also wood-carved but is extensively painted. It wears a dark, possibly black or dark grey, pointed hood or shawl that nearly conceals its body. The face is natural wood, showcasing carved features such as a large, rounded nose, deep-set eyes, and a prominent chin. Below the face, the figure is painted in bright, contrasting colors: a large yellow collar or cravat sits atop a vivid red body. Distinctive green and yellow painted patches, resembling stitched repairs or decorative elements, are visible on the red section, adding to its folk art charm. Both figures exhibit a pleasing patina consistent with age and handling, with no obvious signs of significant damage like cracks or chips, only minor wear on the painted surfaces of the second figure. The craftsmanship suggests amateur or semi-professional carving, focused on character and charm rather than precise anatomical realism, typical of regional folk art from the mid-20th century or later.