Holy Spirit Symbol Appraisal

Devotional Cross with Last Supper, Holy Spirit, and Eucharist Reliefs

This is a wall-mounted devotional cross featuring three distinct relief elements set against a dark, possibly ebonized, wooden cross. The cross itself appears to be constructed from squared wooden sections, joined to form a Latin cross shape. The wood has a matte, dark brown or black finish, with some visible grain patterns and what appears to be minor surface dust or perhaps slight wear, indicating a degree of age or handling. The main horizontal arm of the cross features a prominent rectangular, horizontal metal relief sculpture depicting 'The Last Supper.' This relief is rendered in a silvery-colored metal, likely a base metal alloy with a silver-tone finish (perhaps pewter, white metal, or plated brass), and shows a group of figures seated around a table, with Jesus centrally positioned. The detail work on the figures is somewhat stylized but discernible, capturing the essence of the famous scene. The metal has an aged patina, with darkened recesses that highlight the raised details, suggesting it is not newly manufactured. Above 'The Last Supper' relief, on the top vertical arm of the cross, is a smaller, individual metal relief of a dove with outstretched wings, symbolizing the Holy Spirit. This element shares the same silvery metal and aged appearance. Below the main relief, on the lower vertical arm, is another individual metal relief depicting a hand holding a chalice with a host above it, representing the Eucharist or Holy Communion. This piece also matches the material and aesthetic of the other metal components. All three metal reliefs are securely affixed to the wooden cross, likely by small nails or pins, though these are not clearly visible. The overall condition appears good for its type and age, with no apparent major damage like cracks in the wood or significant missing pieces from the metalwork. The corners of the wood are slightly rounded, suggesting some gentle wear or intentional finishing. The craftsmanship, while not showcasing extreme realism, demonstrates a thoughtful assembly and thematic coherence, making it a piece likely intended for religious devotion or decorative display within a home or chapel setting. The style suggests it could be from the mid-20th century or later, common for such mass-produced devotional items.