
Pair of Framed Elizabeth O'Neill Verner Lithographic Prints of Colonial Williamsburg
This item consists of two vertically arranged, monochromatic lithographic prints housed in a single frame, depicting iconic landmarks of Colonial Williamsburg, Virginia. The upper print illustrates 'The Governor's Palace,' showing the grand brick edifice with its distinctive cupola, chimneys, and surrounding gate and greenery. The lower print depicts 'Bruton Parish Church,' showcasing the historic brick structure nestled behind bare winter trees and a classic lamppost. Both works are rendered in a delicate, sketch-like style with fine cross-hatching and shading typical of the early to mid-20th-century American etcher Elizabeth O'Neill Verner. Each print features handwritten titles in the lower left and the artist's signature 'Elizabeth H. O'Neill' in the lower right corner. The artwork is presented on off-white paper with wide margins. They are professionally mounted with a double-window light blue mat and encased in a classic gold-leafed or metallic-finished wooden frame. The condition appears excellent with no visible foxing, damp staining, or significant fading to the ink. The frame shows minor surface dust but no significant chips or losses to the moulding. Given the artist's career, these likely date from the mid-20th century, capturing the Colonial Revival interest of that era. The level of detail in the architectural rendering reflects high-quality draftsmanship and printmaking technique.
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Estimated Value
$150 - $250
Basic Information
Category
Wall Art / Prints
Appraised On
April 30, 2026
Estimated Value
$150 - $250
Item Description
This item consists of two vertically arranged, monochromatic lithographic prints housed in a single frame, depicting iconic landmarks of Colonial Williamsburg, Virginia. The upper print illustrates 'The Governor's Palace,' showing the grand brick edifice with its distinctive cupola, chimneys, and surrounding gate and greenery. The lower print depicts 'Bruton Parish Church,' showcasing the historic brick structure nestled behind bare winter trees and a classic lamppost. Both works are rendered in a delicate, sketch-like style with fine cross-hatching and shading typical of the early to mid-20th-century American etcher Elizabeth O'Neill Verner. Each print features handwritten titles in the lower left and the artist's signature 'Elizabeth H. O'Neill' in the lower right corner. The artwork is presented on off-white paper with wide margins. They are professionally mounted with a double-window light blue mat and encased in a classic gold-leafed or metallic-finished wooden frame. The condition appears excellent with no visible foxing, damp staining, or significant fading to the ink. The frame shows minor surface dust but no significant chips or losses to the moulding. Given the artist's career, these likely date from the mid-20th century, capturing the Colonial Revival interest of that era. The level of detail in the architectural rendering reflects high-quality draftsmanship and printmaking technique.
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