Taper candlestick in the mid-century modern style

A single candlestick holder featuring a mixed-material construction, consistent with decorative arts from the mid-to-late 20th century. The piece consists of a cup and slender, tapered stem that appear to be made of brass or a similar copper-alloy metal, exhibiting a significant aged patina, surface tarnish, and some dark oxidation. The stem is mounted onto a square, white marble base that shows grey veining characteristic of Carrara or similar stone varieties. This base is elevated by four small, rounded metal ball feet. The cup is designed for a single taper candle and features a nested inner well. There are no visible maker's marks, signatures, or branding in the image, making a specific attribution to a designer or manufacturer hypothetical. The overall geometric aesthetic and combination of stone with brass is stylistically consistent with mid-century modern or Hollywood Regency design trends. Condition appears used, with visible wax residue in the cup and wear to the metal finish.

Based on my visual examination of the provided image, I am evaluating this single taper candlestick as a decorative object consistent with Mid-Century Modern or Hollywood Regency aesthetics. The piece features a patinated brass-toned metal stem and a white marble base with ball feet. I cannot verify the specific metallic composition or the geological origin of the stone without a physical inspection; however, the surface tarnish and oxidation suggest a non-anodized copper alloy. While the design is reminiscent of work by makers such as Bradley & Hubbard or mid-century boutique designers, the absence of visible hallmarks or signatures prevents any specific attribution. I am treating the origin as unattributed. My estimate reflects the item's current condition, which shows significant wax residue and surface wear that may affect its marketability to collectors of pristine vintage decor. The market for generic mid-century marble and brass lighting accessories remains stable, typically driven by interior design trends rather than historical rarity. If this piece were found to bear a signature of a notable designer like Tommi Parzinger or a specific manufacturer, the value could increase toward the $150–$250 range. Conversely, if the base is determined to be a synthetic composite or the metal is a modern plated alloy, the value would likely fall below $25.00. To further clarify this estimate, one would need an in-person examination to check for obscured marks on the underside of the marble or the interior of the cup, as well as a weight-test to confirm the density of the materials. At present, this value represents what I would expect for an anonymous, stylistically representative piece of this era in used condition.