"Look Both Ways" Framed Limited Edition Lithograph by Earl Biss

This item is a framed limited edition lithograph by the renowned Crow master artist Earl Biss (1947–1998). The artwork features a sweeping, atmospheric landscape typical of Biss's contemporary Native American style, characterized by fluid brushstrokes and a vibrant yet moody color palette of deep indigos, teals, and earthy browns. The piece depicts a canyon or mesa-like setting with dynamic sky-work. It is hand-signed by the artist in the lower right margin in pencil, with the title "Look Both Ways" and the date "1983" also inscribed. The print shows high-quality registration and ink saturation on archival paper. The artwork is professionally mounted with a multi-layered mat, including a burgundy outer mat and a cream inner mat, housed behind glass. While the print surface appears in excellent condition without visible foxing or fading, there is a minor reflection highlighting the glass protection. The framing indicates a late 20th-century aesthetic, consistent with the 1983 production date. Biss was a central figure in the New Native American Art movement, and this piece demonstrates his characteristic fusion of Impressionism with indigenous themes.

I have virtually examined this framed limited edition lithograph titled 'Look Both Ways' by the distinguished Crow artist Earl Biss, dated 1983. The composition exhibits Biss’s signature 'Impressionistic' style, utilizing fluid, painterly textures to depict a high-contrast canyon landscape. Based on visual inspection, the lithograph appears to be in excellent condition with vibrant ink saturation and no evidence of UV-induced fading or foxing. The hand-signed signature and date in the lower margin appear consistent with known examples of Biss’s work from the early 1980s, his most sought-after period. The market for Earl Biss remains robust, driven by his legacy as a member of the 'Miracle Five' at the Institute of American Indian Arts. Limited edition prints of this scale and palette maturity consistently command high prices at fine art auctions and specialized galleries. The professional framing and archival matting add to its immediate liquidity, though the 1983 date makes it a particularly desirable vintage for collectors focusing on the New Native American Art movement. However, there are limitations to this digital appraisal. A physical inspection is required to verify the presence of a watermark on the archival paper and to inspect the print’s verso for any hidden mounting damage or acidification. Full authentication would necessitate a review of the provenance (chain of ownership) and a Certificate of Authenticity (COA) from a reputable gallery or the artist's estate. Without a physical signature comparison under magnification and a check of the edition number, this assessment remains a valuation of the item's apparent quality and market standing.