
Mid-Century Modern Abstract Ceramic Figurine
This item is an organic, abstract ceramic sculpture featuring a deep plum or aubergine high-gloss glaze. The piece exhibits a fluid, biomorphic form characteristic of mid-century modern design, reminiscent of the work of artists like Henry Moore or Jean Arp. It is constructed from heavy ceramic or earthenware with a thick, reflective finish that pools slightly at the curves. A notable feature is the presence of several circular abrasions or scuffs on the upper surface, where the glaze has been deeply scratched away, revealing a lighter pinkish-white underlayer or clay body. These markings appear to be post-manufacturing damage rather than intentional design elements. There is a faint, illegible impression or signature near the center of the top surface, which may indicate a specific maker or studio, though it is obscured by the glaze and lighting. The overall condition shows significant surface wear, specifically the cluster of impact marks and scratches mentioned above, which detract from the otherwise smooth silhouette. In addition to the large scuffs, there are finer surface scratches visible under light. Its style suggests a production date between the 1950s and 1970s. The craftsmanship is high-quality, evident in the seamless transition between the rounded protuberances and the central mass.
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Estimated Value
$150 - $250
Basic Information
Category
Art & Collectibles / Studio Pottery
Appraised On
April 21, 2026
Estimated Value
$150 - $250
Item Description
This item is an organic, abstract ceramic sculpture featuring a deep plum or aubergine high-gloss glaze. The piece exhibits a fluid, biomorphic form characteristic of mid-century modern design, reminiscent of the work of artists like Henry Moore or Jean Arp. It is constructed from heavy ceramic or earthenware with a thick, reflective finish that pools slightly at the curves. A notable feature is the presence of several circular abrasions or scuffs on the upper surface, where the glaze has been deeply scratched away, revealing a lighter pinkish-white underlayer or clay body. These markings appear to be post-manufacturing damage rather than intentional design elements. There is a faint, illegible impression or signature near the center of the top surface, which may indicate a specific maker or studio, though it is obscured by the glaze and lighting. The overall condition shows significant surface wear, specifically the cluster of impact marks and scratches mentioned above, which detract from the otherwise smooth silhouette. In addition to the large scuffs, there are finer surface scratches visible under light. Its style suggests a production date between the 1950s and 1970s. The craftsmanship is high-quality, evident in the seamless transition between the rounded protuberances and the central mass.
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