
Framed Offset Lithographic Print - Sunday Morning in Sleepy Hollow
This is a rectangular framed offset lithographic print depicting a group of 18th-century/Colonial American-style figures walking down a path toward a church in a lush, wooded landscape. The artwork is oriented horizontally within a vertical frame, a stylistic choice common for mass-produced historical reproductions. The color palette is composed of soft pastels, featuring muted blues, greens, and pinks. The print is housed in a contemporary gold-finished wooden or composite frame with visible mitered corners. It is professionally matted using a multi-layer technique: a wide outer mat in a deep burgundy or maroon shade and a thinner inner mat in a beige or light tan ivory. The print itself contains visible text along the left side (bottom when oriented correctly), which likely includes the title 'Sunday Morning in Sleepy Hollow' and possibly a reference to the artist, such as Jennie Augusta Brownscombe. There is a small crest or logo in the top left corner of the print's border, characteristic of 20th-century decorative art suites. The condition appears fair to good; the frame shows minor surface abrasions and light dust, while the print exhibits slight fading consistent with UV exposure. The glass covering the piece shows significant glare, indicating standard rather than anti-reflective glazing. This piece likely dates from the late 20th century as a decorative reproduction of a much earlier Americana oil painting.
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Estimated Value
$35-65
Basic Information
Category
Art - Decorative Prints
Appraised On
February 3, 2026
Estimated Value
$35-65
Item Description
This is a rectangular framed offset lithographic print depicting a group of 18th-century/Colonial American-style figures walking down a path toward a church in a lush, wooded landscape. The artwork is oriented horizontally within a vertical frame, a stylistic choice common for mass-produced historical reproductions. The color palette is composed of soft pastels, featuring muted blues, greens, and pinks. The print is housed in a contemporary gold-finished wooden or composite frame with visible mitered corners. It is professionally matted using a multi-layer technique: a wide outer mat in a deep burgundy or maroon shade and a thinner inner mat in a beige or light tan ivory. The print itself contains visible text along the left side (bottom when oriented correctly), which likely includes the title 'Sunday Morning in Sleepy Hollow' and possibly a reference to the artist, such as Jennie Augusta Brownscombe. There is a small crest or logo in the top left corner of the print's border, characteristic of 20th-century decorative art suites. The condition appears fair to good; the frame shows minor surface abrasions and light dust, while the print exhibits slight fading consistent with UV exposure. The glass covering the piece shows significant glare, indicating standard rather than anti-reflective glazing. This piece likely dates from the late 20th century as a decorative reproduction of a much earlier Americana oil painting.
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