
Abstract Stone Sculpture of a Seated Figure
This is an original mid-to-late 20th-century abstract sculpture carved from a single block of translucent white stone, likely alabaster or a high-grade white marble. The piece features a minimalist, biomorphic aesthetic reminiscent of Henry Moore or Barbara Hepworth, depicting a seated or huddled figure with a hollow center, possibly representing a mother and child or a solitary meditative pose. The stone possesses a subtle pinkish-white hue with soft, cloudy inclusions and a polished satin finish that allows light to penetrate the surface. It is mounted on a circular black laminate or wooden tiered base. The base features a small rectangular gold-toned nameplate that appears to read 'JANE CABEEN' or a similar surname, identifying the artist. The construction shows expert subtractive carving techniques with smooth, continuous curves and no visible evidence of mechanical joining. Condition appears excellent with no visible fractures, chips, or pervasive staining, though some light surface dust is present in the crevices. The style suggests a late Modernist approach, emphasizing form and material over realistic detail. The craftsmanship is high-quality, characterized by symmetrical balance and a tactile, fluid surface that enhances the natural beauty of the mineral grain.
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Estimated Value
$1,200 - $1,800
Basic Information
Category
Fine Art / Sculpture
Appraised On
February 13, 2026
Estimated Value
$1,200 - $1,800
Item Description
This is an original mid-to-late 20th-century abstract sculpture carved from a single block of translucent white stone, likely alabaster or a high-grade white marble. The piece features a minimalist, biomorphic aesthetic reminiscent of Henry Moore or Barbara Hepworth, depicting a seated or huddled figure with a hollow center, possibly representing a mother and child or a solitary meditative pose. The stone possesses a subtle pinkish-white hue with soft, cloudy inclusions and a polished satin finish that allows light to penetrate the surface. It is mounted on a circular black laminate or wooden tiered base. The base features a small rectangular gold-toned nameplate that appears to read 'JANE CABEEN' or a similar surname, identifying the artist. The construction shows expert subtractive carving techniques with smooth, continuous curves and no visible evidence of mechanical joining. Condition appears excellent with no visible fractures, chips, or pervasive staining, though some light surface dust is present in the crevices. The style suggests a late Modernist approach, emphasizing form and material over realistic detail. The craftsmanship is high-quality, characterized by symmetrical balance and a tactile, fluid surface that enhances the natural beauty of the mineral grain.
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