Framed Hand-Painted Feather Art by Iris Quesada - Costa Rica (1995)

This is a unique piece of folk art featuring a detailed miniature painting executed directly onto a natural bird feather, which appears to be from a Macaw or similar tropical bird. The central image depicts two vibrant Scarlet Macaws perched together on a branch, rendered with fine brushwork in bright reds, yellows, and blues that contrast effectively against the natural teal and olive-green hues of the feather's barbs. The feather is mounted vertically within a simple black-ink border on a white field, creating a matted effect. The artwork is signed 'Iris Quesada' and inscribed 'Costa Rica / 95' in the lower right corner, indicating it was produced in 1995. The piece is housed in a slim, rectangular wood frame with a light honey-toned finish and protected by glass. The feather displays natural curvature and slight separation of the barbs at the top, which is typical for organic medium art. The frame appears to be in good vintage condition with minor surface scuffs. The level of detail achieved on such a delicate, fibrous substrate demonstrates significant artisan skill and precision, making this a notable example of Central American botanical and wildlife craft.

This appraisal covers a signed hand-painted feather by Costa Rican artisan Iris Quesada, dated 1995. Upon visual inspection of the digital representation, the piece demonstrates high technical proficiency in the application of pigment to a delicate organic substrate. The composition, depicting two Scarlet Macaws, remains vibrant with no apparent fading or mold growth, though natural 'splitting' of the feather barbs is visible at the distal end—a common occurrence in aged organic media. Market demand for Central American folk art of this period is stable, though it remains a niche segment. Comparables for mid-90s feather art by recognized regional artisans generally realize between $100 and $200 at specialized auction or via vintage estates. The primary value drivers are the artist's signature and the preserved state of the feather. However, the value is capped by the lack of original gallery provenance and the commonality of similar tourist-market exports from that era. Limitations: This valuation is based solely on digital imagery. A physical inspection is required to verify the frame's integrity and to ensure the feather is not fixed with acidic adhesives that could cause long-term deterioration. To fully authenticate the piece as a genuine 1995 Quesada, I would require provenance documentation or a purchase receipt from a reputable Costa Rican gallery. Furthermore, while the feather appears to be from a Macaw, scientific species identification could not be performed; owners should note that transport of such items across international borders may be subject to CITES regulations.