
Georgian Easter Folk Painting of a Paskha Lamb
This is a contemporary fine art piece executed in the style of traditional Georgian folk or naive art. The central subject is a stylized, textured white ram or lamb wearing a vibrant red ribbon tied in a bow around its neck. The lamb stands over a traditional Easter Paskha cake topped with a single yellow candle and surrounded by red eggs on a miniature rug. The background is a dark, atmospheric blue-black reminiscent of a night sky, featuring a crescent moon and stars. The artwork is framed by a decorative border of fine red and white lines. Extensive text in the Georgian Asomtavruli and Mkhedruli scripts occupies the upper and lower portions of the composition, suggesting liturgical or celebratory religious context. The rendering of the lamb's wool shows high technical skill through stippling and layering, giving it a three-dimensional, fleece-like quality. The colors are muted tones of earth, navy, and ivory, contrasted by the bold scarlet red of the ribbon and eggs. The overall condition appears excellent with no visible fading, tears, or surface abrasions. The style evokes the 20th-century Georgian primitive art movement while maintaining a clean, modern finish. The craftsmanship suggests a professional artist well-versed in cultural theological iconography.
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Estimated Value
$1,500 - $2,200
Basic Information
Category
Fine Art - Contemporary Folk Painting
Appraised On
May 12, 2026
Estimated Value
$1,500 - $2,200
Item Description
This is a contemporary fine art piece executed in the style of traditional Georgian folk or naive art. The central subject is a stylized, textured white ram or lamb wearing a vibrant red ribbon tied in a bow around its neck. The lamb stands over a traditional Easter Paskha cake topped with a single yellow candle and surrounded by red eggs on a miniature rug. The background is a dark, atmospheric blue-black reminiscent of a night sky, featuring a crescent moon and stars. The artwork is framed by a decorative border of fine red and white lines. Extensive text in the Georgian Asomtavruli and Mkhedruli scripts occupies the upper and lower portions of the composition, suggesting liturgical or celebratory religious context. The rendering of the lamb's wool shows high technical skill through stippling and layering, giving it a three-dimensional, fleece-like quality. The colors are muted tones of earth, navy, and ivory, contrasted by the bold scarlet red of the ribbon and eggs. The overall condition appears excellent with no visible fading, tears, or surface abrasions. The style evokes the 20th-century Georgian primitive art movement while maintaining a clean, modern finish. The craftsmanship suggests a professional artist well-versed in cultural theological iconography.
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