Ottilie Patterson sings with Chris Barber's Jazz Band - That Patterson Girl Volume 2 EP

This item is a vintage 45 rpm extended play (EP) vinyl record housed in its original sleeve. The cover art features a monochromatic green color scheme with dark green printing on a lighter green background. The central image is a portrait of a woman, presumably Ottilie Patterson, depicted in a somewhat introspective or dramatic pose, with half of her face shadowed. The title, "THAT PATTERSON GIRL VOLUME 2", is prominently displayed in bold, light-colored sans-serif typeface, horizontally across the mid-section of the cover on a light rectangular background that contrasts with the green. Along the left edge, vertically oriented text reads "Ottilie Patterson sings with Chris Barber's Jazz Band", followed by a list of song titles: "T'a't No Sin", "Beale Street Blues", "Shipwreck Blues", and "Jailhouse Blues". In the bottom right corner, smaller text indicates the label and series: "Pye-Nixa Jazz Today Series 45 rpm EP". A small circular logo, likely the record label's emblem (Pye-Nixa), is visible in the upper right quadrant. The sleeve itself appears to be constructed from cardboard, showing an exposed light brown perimeter, suggesting age appropriate slight wear or discoloration along the edges. The overall visible condition is excellent, with minimal creasing or scuffing, indicating careful handling and storage over the years. The record is encased in a clear plastic protective sleeve, further contributing to its well-preserved state. This EP is representative of jazz and blues recordings from the mid-20th century. The quality of the printing and paper stock would have been typical for record releases of its era.

I have examined the provided image and description of the 'Ottilie Patterson sings with Chris Barber's Jazz Band - That Patterson Girl Volume 2' EP. The visual condition of the record sleeve is, as the owner states, 'excellent.' The monochromatic green cover art is vibrant, with no significant creasing, tears, or scuffing visible. The exposed light brown perimeter, indicative of the cardboard stock, shows appropriate minor discoloration consistent with age but not damage. The presence of the original sleeve and a clear plastic protective sleeve further supports the 'excellent' rating for the cover. Given this is a 45 rpm EP, the record itself is likely in similarly good condition, though I cannot definitively verify this without physically inspecting the vinyl for scratches, warps, or label integrity. This EP represents a specific niche within jazz and blues recordings from the mid-20th century. While Ottilie Patterson is a respected figure, and Chris Barber's Jazz Band had a following, this particular EP is not an exceptionally rare or high-demand collectible on the level of iconic first presses or highly scarce releases. I've considered market conditions for similar well-preserved EPs from this era and genre. Comparables show prices varying based on artist popularity and true scarcity. Demand is generally from dedicated jazz/blues collectors or fans of Patterson/Barber. The primary factors impacting value here are the superb visual condition of the sleeve and its completeness with the original artwork. The absence of photos of the vinyl disc itself is the main limitation in providing a fully comprehensive appraisal. True value could be slightly higher if the vinyl is graded Near Mint or Mint. However, without a physical inspection to assess the vinyl's playing surface, spindle marks, and label condition, and to confirm the absence of any hidden defects or repairs to the sleeve, my appraisal remains cautious. An in-person examination would involve checking the record's surface for groove wear, warps, and verifying the stamper codes against known pressings for full authentication and confirmation of first press status, if applicable.