Framed Botanical Print in the Style of Pierre-Joseph Redouté

This framed artwork depicts a detailed botanical illustration featuring pink and white roses (Rosa Damascena / Rosier de Cels) with green leaves and a thorny stem. The lower margin of the print shows printed inscriptions consistent with early 19th-century botanical engravings, including text appearing to read "P.J. Redouté", "Rosa Damascena", "Rosier de Cels", and references to the printer and engraver ("Imprimerie de Remond", "Charlin sculp"). The artwork is presented within a double-matted assembly, featuring a dark green inner mat with a thin gold-toned lip, set inside a larger textured off-white silk-like matting. It is housed in an ornate, gold-toned molded frame with decorative scrolling motifs along the outer border. Glazing is present over the image, which exhibits some glare and reflections from overhead light sources. The print appears to be in good physical condition with no obvious tears, staining, or major discoloration visible through the glass. Note that the owner identifies this item as a 1991 reproduction print by The Bombay Company Private Collection based on an 1835 original work; this provenance claim remains unverified without opening the frame or inspecting physical Documentation. Hedged language is used as physical inspection is required to determine the exact printing technique, substrate, and production era.

Based on my visual examination of the photograph provided, I am assessing this framed botanical wall art depicting pink and white roses (Rosa Damascena / Rosier de Cels). The print features lower margin inscriptions referencing Pierre-Joseph Redouté, printer Remond, and engraver Charlin. It is presented in an ornate gold-toned molded frame with a decorative inner lip and double matting. Per user submission, the owner identifies this piece as a 1991 reproduction print by The Bombay Company Private Collection, based on an 1835 original work. Based on what I can see, the framing style, matting materials, and print quality are consistent with late 20th-century decorative home furnishings produced by retailers like The Bombay Company. However, I cannot verify the exact substrate, printing technique, or age solely from a photograph. Physical inspection, including removal from the frame, would be required to inspect paper watermarks, plate impression marks, or rear labeling to confirm this attribution. Assuming the owner's identification is correct and this is a late 20th-century mass-market reproduction, the estimated fair market value is between $40 and $80. Decorative prints of this nature were produced in large quantities and maintain modest value in the secondary market primarily for their decorative appeal rather than fine art investment. If physical inspection were to reveal that this is an 18th or 19th-century hand-colored stipple engraving from an original Redouté folio, the valuation would increase significantly, potentially into the several hundred or low thousand dollar range depending on condition and edition. Conversely, if the print exhibits hidden foxing, light fading, or frame damage not visible through the glass glaze, its value would lean toward the lower end of the $40-$80 estimate.