Friedlaender Galerie La Hune Exhibition Poster Mounted on Wood with Resin Coating

This appears to be a vintage art print or poster, likely an exhibition announcement, for an artist named Friedlaender. The print is mounted on a solid wooden plaque, possibly pine or oak, with a visible wood grain and a warm, medium-brown finish. The edges of the wood create a natural frame around the print. The print itself has a layered or collage-like aesthetic, featuring abstract shapes and textures. The dominant colors in the artwork portion appear to be muted tones of brown, beige, and possibly some earthier reds or greens, with some darker, possibly blue or black, circular elements visible on the left. The artist's name, 'FRIEDLAENDER', is prominently displayed at the top in sans-serif capital letters. Below the artwork, text indicates a date range 'JUIN - JUILLET 1978' and what appears to be a gallery or venue name 'LA HUNE' along with an address '14 rue de l'Abbaye - 75006 PARIS' and a phone number '325.54.06'. The surface of the print has been covered with a thick, glossy resin or epoxy layer, which provides aprotective and somewhat magnified effect, but also reflects light intensely, making some details difficult to discern. This resin application is a common method for preserving and presenting posters or prints, popular from the mid-20th century onwards. The condition appears to be good for its age, with no obvious major damage to the print itself, though the resin coating shows some minor surface wear and reflections. The wooden backing suggests it's ready for hanging, consistent with the 'mental wire hanging back' context provided, indicating a method for display. The estimated age is clearly mid to late 1970s based on the 'JUIN - JUILLET 1978' date.

Upon examining the Friedlaender Galerie La Hune exhibition poster, my assessment is based on the provided images and description. The item is an original exhibition poster from June-July 1978, advertising a show for the artist Johnny Friedlaender in Paris. The poster's design is consistent with Friedlaender's abstract style. A significant factor impacting its value is its presentation: it has been permanently mounted on a wooden plaque and coated with a thick layer of resin. This was a popular decorative treatment in the 1970s and 80s but is considered a significant alteration by art and print collectors. While it preserves the image, it prevents examination of the paper, printer's marks, and condition, and is generally irreversible. The condition appears good for its age, with the resin coating showing minor surface wear. The market for original Friedlaender posters exists, but collectors strongly prefer examples in original, unaltered condition. The resin-on-wood mounting recategorizes this piece from a collectible print to decorative art, which substantially lowers its market value. Demand is therefore limited to those seeking vintage decor rather than serious print collectors. While the imagery suggests authenticity, I cannot definitively verify it without physical inspection. Full authentication would require examining the paper and printing technique under magnification (which is impossible due to the resin) and comparing it to known original examples. Its value lies primarily in its decorative and vintage appeal.