Mixed-media art print in the style of Tobiasse

This artwork is stylistically consistent with the figurative and expressionist manner of Theo Tobiasse, though the lack of a clear, verifiable autograph in the image means this attribution is a hypothesis subject to physical inspection. The composition features a central bearded figure in a hat, likely a father or patriarch, holding up a small child and a green fruit against a vibrant, saturated red and orange background. The city skyline is rendered with mosaic-like complexity, suggesting a late 20th-century aesthetic. The work includes handwritten French text at the bottom that appears to read 'Un Porteur Juif À New York' (A Jewish Porter in New York), which is a recurring theme in works attributed to Tobiasse. The medium appears to be a lithograph or carborundum etching, characterized by rich textures, spatters, and deep pigments. The condition appears stable, though there is a significant surface glare from a light source during photography that obscures some central details. The intricate patterns on the buildings and the floating, dream-like quality of the subjects are hallmarks of this specific mid-to-late 20th-century European school of figurative art.

Based on the digital image provided, I have examined this mixed-media print which bears stylistic elements consistent with the figurative and expressionist manner of Theo Tobiasse. The composition, featuring the text 'Un Porteur Juif À New York' and utilizing a rich palette of carborundum-style textures, aligns with themes commonly associated with this artist. I can observe intricate cityscapes and a dream-like narrative quality; however, I cannot verify the medium or the presence of a signature from this photograph alone. The surface glare obscures central details, making it impossible to assess the paper's texture or the ink's depth, which are vital for determining the specific printing process. The estimated value of $1,200 - $2,500 is based on the assumption that this is a limited-edition carborundum etching or lithograph attributed to the aforementioned artist. Similar figurative works from the mid-to-late 20th century European school generally command this range in the current secondary market. This estimate depends entirely on the accuracy of the attribution; should the work be a later mechanical reproduction, a decorative 'in the style of' copy, or otherwise unlinked to the artist’s estate, the value would likely decrease significantly to a decorative range of $100 - $300. To advance this hypothesis toward a more certain valuation, a physical inspection is required to check for watermarks, plate marks, and hand-inked details. Professional authentication through provenance documentation or inclusion in a catalogue raisonné would also be necessary. For now, the provided valuation reflects the market for attributed works of this aesthetic caliber and complexity, provided they are confirmed as legitimate period graphics.