Op Art style geometric serigraph attributed to Victor Vasarely

This item is a framed geometric print featuring a complex arrangement of multi-colored cubes and isometric shapes set against a gridded blue background. The color palette is vibrant, utilizing shades of red, green, blue, pink, and grey to create a three-dimensional optical illusion. The artwork is housed under a white mat with a black inner border, protected by glass (or acrylic) and set in a contemporary black wooden frame. The composition is stylistically consistent with the Op Art (Optical Art) movement of the mid-to-late 20th century, specifically mirroring the mathematical precision found in works attributed to Victor Vasarely. The user identifies this piece as 'SIRT-MC' by Victor Vasarely, reported to measure approximately 41.25 inches by 39.75 inches; however, these measurements and the specific attribution remain unverified as no signature or edition numbering is clearly legible in the provided image. The print appears to be in good visual condition with no immediate evidence of moisture damage, fading, or foxing. The framing shows clean lines consistent with modern gallery presentation. Without physical inspection of the substrate or a visible, verified signature, the work is treated as a stylized hypothesis consistent with the mid-20th-century period.

Based on the image provided, I am examining a geometric serigraph that the owner identifies as 'SIRT-MC' by Victor Vasarely. Based on what I can see, the work exhibits the complex isometric perspective and vibrant color interactions characteristic of the Op Art movement. The large scale and high-key palette of reds, greens, and blues are consistent with the hypothesized attribution to Vasarely's mature period. However, I cannot verify the specific authorship or the edition from a photograph. The absence of a visible, legible signature or edition number in the image requires me to treat this attribution as a working hypothesis. My estimate assumes the work is a signed and numbered serigraph by the artist; if the work is found to be an unsigned reproduction, a poster, or a work 'in the style of' the artist, the value would likely drop significantly to the $200 - $500 range. The current market for mid-century optical art remains steady for large-scale, well-preserved pieces. The condition appears good from the photo, with no obvious signs of fading or moisture damage, but I would need a physical inspection to confirm the state of the paper and the quality of the ink. To move beyond this hypothesis, a specialist would need to examine the work out of the frame to check for a signature, edition details, and a watermark on the substrate. The presence of a verifiable signature and a documented provenance would be essential for establishing the higher end of the valuation range.