
Framed Print of 'Suspense' by Charles Burton Barber
This is a framed color lithographic print of the famous Victorian painting 'Suspense' (originally painted in 1894) by the British artist Charles Burton Barber. The scene depicts a young girl with curls sitting up in bed, hands clasped in prayer or anticipation, while a Jack Russell terrier and a small kitten look on at a breakfast tray containing an egg and toast. The color palette is composed of soft, warm earth tones, creams, and muted pastels, characteristic of late 19th-century sentimental genre art. The print is housed in a contemporary, substantial dark wood or composite frame with an inner beaded gilt-colored border and a classic cove profile. There is a visible artist signature 'C. Burton Barber' in the lower-left corner of the print, followed by the date '1894'. The item is behind glass, which shows significant glare from overhead lighting. The condition appears stable with no visible foxing, fading, or moisture damage to the print itself, though the frame shows modern construction techniques rather than period-accurate hand-carving. The work is a classic example of the Victorian obsession with domesticity and the anthropomorphic bond between children and pets.
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Estimated Value
$100 - $250
Basic Information
Category
Wall Art & Prints
Appraised On
March 28, 2026
Estimated Value
$100 - $250
Item Description
This is a framed color lithographic print of the famous Victorian painting 'Suspense' (originally painted in 1894) by the British artist Charles Burton Barber. The scene depicts a young girl with curls sitting up in bed, hands clasped in prayer or anticipation, while a Jack Russell terrier and a small kitten look on at a breakfast tray containing an egg and toast. The color palette is composed of soft, warm earth tones, creams, and muted pastels, characteristic of late 19th-century sentimental genre art. The print is housed in a contemporary, substantial dark wood or composite frame with an inner beaded gilt-colored border and a classic cove profile. There is a visible artist signature 'C. Burton Barber' in the lower-left corner of the print, followed by the date '1894'. The item is behind glass, which shows significant glare from overhead lighting. The condition appears stable with no visible foxing, fading, or moisture damage to the print itself, though the frame shows modern construction techniques rather than period-accurate hand-carving. The work is a classic example of the Victorian obsession with domesticity and the anthropomorphic bond between children and pets.
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