
Set of Four Chinese Silk Painting Panels representing the Four Seasons
A set of four rectangular horizontal Chinese bird-and-flower paintings (Huaniao-hua style), each executed on a light-colored silk or fine paper substrate and mounted within modern black frames. The artworks depict various species of birds perched amongst seasonal flora, including plum blossoms, peonies, and leafy branches. The color palette is composed of soft mineral pigments, featuring muted greens, pinks, and browns against a naturally aged, cream-toned background showing a slight vertical rippling (waving) consistent with older silk mountings. Each panel includes traditional Chinese calligraphy inscriptions and at least one vibrant red cinnabar seal mark, likely representing the artist's signature or a studio stamp. The brushwork shows refined detail in the plumage and delicate linework in the petals. The frames appear to be mid-to-late 20th-century additions. Regarding condition, there is visible undulating of the paper/silk within the frames, suggesting moisture sensitivity or improper mounting tension. The backgrounds show a mild, even patina appropriate for pieces from the mid-20th century. One panel has a slight glare from an external light source in the photograph, but the underlying ink and color remain saturated and well-preserved.
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Estimated Value
$1,200 - $1,800
Basic Information
Category
Asian Fine Art - Paintings
Appraised On
February 9, 2026
Estimated Value
$1,200 - $1,800
Item Description
A set of four rectangular horizontal Chinese bird-and-flower paintings (Huaniao-hua style), each executed on a light-colored silk or fine paper substrate and mounted within modern black frames. The artworks depict various species of birds perched amongst seasonal flora, including plum blossoms, peonies, and leafy branches. The color palette is composed of soft mineral pigments, featuring muted greens, pinks, and browns against a naturally aged, cream-toned background showing a slight vertical rippling (waving) consistent with older silk mountings. Each panel includes traditional Chinese calligraphy inscriptions and at least one vibrant red cinnabar seal mark, likely representing the artist's signature or a studio stamp. The brushwork shows refined detail in the plumage and delicate linework in the petals. The frames appear to be mid-to-late 20th-century additions. Regarding condition, there is visible undulating of the paper/silk within the frames, suggesting moisture sensitivity or improper mounting tension. The backgrounds show a mild, even patina appropriate for pieces from the mid-20th century. One panel has a slight glare from an external light source in the photograph, but the underlying ink and color remain saturated and well-preserved.
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