
Seated Woman with Open Book by John Douglas Patrick
This is an original oil painting on canvas, likely dating from the late 19th to early 20th century, attributed to the American artist John Douglas Patrick (1863-1937). The composition features a seated female figure in a dark, atmospheric interior, holding an open book on her lap. The style reflects a tonalist influence with a somber, muted palette dominated by deep umbers, magentas, and shadows, contrasted by the bright white of the book's pages and the soft light on the subject's face. The brushwork appears painterly yet controlled, characteristic of Patrick's academic training at the Académie Julian in Paris. The canvas shows visible signs of age and condition issues, including significant surface grime, localized scuffing along the edges (likely from previous framing), and small white flecks that suggest paint loss or environmental accretion. There is a noticeable lack of a frame in the current view, revealing raw canvas edges. The overall mood is quiet and contemplative, typical of turn-of-the-century portraiture. The artist’s signature is common for works in this period, and the craftsmanship exhibits the high quality of a professionally trained fine artist known for capturing nuanced personality and light within domestic settings.
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Estimated Value
$4,000 - $6,500
Basic Information
Category
Fine Art - Oil Paintings
Appraised On
December 29, 2025
Estimated Value
$4,000 - $6,500
Additional Details Provided By Owner
User Provided Information
John Douglas Patrick
Item Description
This is an original oil painting on canvas, likely dating from the late 19th to early 20th century, attributed to the American artist John Douglas Patrick (1863-1937). The composition features a seated female figure in a dark, atmospheric interior, holding an open book on her lap. The style reflects a tonalist influence with a somber, muted palette dominated by deep umbers, magentas, and shadows, contrasted by the bright white of the book's pages and the soft light on the subject's face. The brushwork appears painterly yet controlled, characteristic of Patrick's academic training at the Académie Julian in Paris. The canvas shows visible signs of age and condition issues, including significant surface grime, localized scuffing along the edges (likely from previous framing), and small white flecks that suggest paint loss or environmental accretion. There is a noticeable lack of a frame in the current view, revealing raw canvas edges. The overall mood is quiet and contemplative, typical of turn-of-the-century portraiture. The artist’s signature is common for works in this period, and the craftsmanship exhibits the high quality of a professionally trained fine artist known for capturing nuanced personality and light within domestic settings.
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