
Framed Oil Portrait of a Woman by John Douglas Patrick
This is an original oil painting on canvas, attributed to the renowned American painter John Douglas Patrick (1863–1937). The artwork is a bust-length portrait depicting an elderly woman with a somber expression, her head draped in a dark, possibly woolen shawl or hood. The palette is distinctly muted, utilizing earthy tones of umber, sienna, and cool grays, which is characteristic of Patrick’s late 19th and early 20th-century Academic Realism style. The brushwork shows significant skill, particularly in the tonal modeling of the subject's face and the subtle play of light on her features. The painting is housed in a contemporary fluted cove gilt-wood frame. While the image shows the work in a vertical orientation, the canvas surface appears to have notable surface grime and possible minor craquelure indicative of its age, which is likely from the early 1900s. There are visible scuffs to the gilt finish of the frame, especially at the corners, though the integrous structure of the molding suggests it provides adequate protection. The overall craftsmanship reflects the artist's formal training in Paris, demonstrating high-quality anatomy and atmospheric depth. The lack of a visible signature in the photo suggests it might be signed on the reverse or obscured by the frame lip.
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Estimated Value
$4,500 - $6,500
Basic Information
Category
Fine Art - Oil Paintings
Appraised On
December 29, 2025
Estimated Value
$4,500 - $6,500
Additional Details Provided By Owner
User Provided Information
John Douglas Patrick
Item Description
This is an original oil painting on canvas, attributed to the renowned American painter John Douglas Patrick (1863–1937). The artwork is a bust-length portrait depicting an elderly woman with a somber expression, her head draped in a dark, possibly woolen shawl or hood. The palette is distinctly muted, utilizing earthy tones of umber, sienna, and cool grays, which is characteristic of Patrick’s late 19th and early 20th-century Academic Realism style. The brushwork shows significant skill, particularly in the tonal modeling of the subject's face and the subtle play of light on her features. The painting is housed in a contemporary fluted cove gilt-wood frame. While the image shows the work in a vertical orientation, the canvas surface appears to have notable surface grime and possible minor craquelure indicative of its age, which is likely from the early 1900s. There are visible scuffs to the gilt finish of the frame, especially at the corners, though the integrous structure of the molding suggests it provides adequate protection. The overall craftsmanship reflects the artist's formal training in Paris, demonstrating high-quality anatomy and atmospheric depth. The lack of a visible signature in the photo suggests it might be signed on the reverse or obscured by the frame lip.
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