Tribute #28 by Frank Olt (2009)

This is a mixed-media contemporary artwork by artist Frank Olt, created in 2009 in Oyster Bay, NY. The piece utilizes a unique construction of soil on linen, which is then mounted onto a ceramic substrate. This small-scale rectangular work features an abstract composition characterized by a central vertical dark grey pillar flanked by textured grey and white fields with a distinct crackle pattern. The outer edges of the composition incorporate earthy tones of olive green, ochre, and rust brown, evoking an organic, geological aesthetic. The application of soil provides a matte, gritty texture that contrasts with the web-like line work of the central panel. The artwork is housed in a modern gold-toned floating frame with a dark interior recess, which provides a clean border while highlighting the dimensionality of the ceramic base. The craftsmanship reflects Olt's background in ceramics, blending fine art painting techniques with earthy, tactile materials. Condition appears to be excellent with no visible chips to the ceramic or flaking of the soil-based media. The crackle effect appears intentional to the artist's style rather than a sign of age-related degradation.

I have virtually examined Frank Olt's 2009 mixed-media work 'Tribute #28.' The piece exemplifies Olt's signature fusion of ceramic discipline with abstract expressionism. The surface execution—utilizing soil on linen mounted to a ceramic substrate—remains in excellent condition. The intentional crackle and organic ochre/rust palette are characteristic of his geological aesthetic found in the 'Tribute' series. Market demand for Olt's work is driven by his reputation as a respected educator and practitioner in the New York ceramic scene. Comparables for his small-scale rectangular wall reliefs typically fall in the $1,200 to $2,500 range depending on the complexity of the layering. This specific piece benefits from higher value due to the well-preserved gritty texture and the inclusion of a high-quality gold-toned floating frame, which enhances its gallery readiness. Limitations: This appraisal is based on high-resolution imagery. While the craftsmanship aligns perfectly with Olt’s known techniques, definitive authentication requires a physical inspection to verify the ceramic's structural integrity and the artist's signature or studio marks on the reverse. Provenance documentation, such as a bill of sale from a reputable gallery or exhibition history, would be necessary to solidify this valuation for insurance or estate purposes. Scientific testing is generally not required for contemporary works of this nature, but tactile verification is essential to ensure no recent delamination between the linen and ceramic layers.