
Large Blue and White Floral Porcelian Egg on Wooden Base
This item is a decorative porcelain object shaped like a large egg, featuring a classic blue and white color scheme. The primary color is a deep cobalt blue glaze, which serves as a vibrant backdrop for the dense pattern of light blue or white stylized daisies or floral blooms that cover the entire surface. The egg is mounted on a carved, dark-colored wooden stand that appears to be made of mahogany or rosewood, providing stability and a contrasting aesthetic. In terms of size, it appears to be a significant tabletop piece, likely standing between 10 to 14 inches tall including the base. The construction is ceramic with a smooth, high-gloss glazed finish that reflects light. The floral pattern is likely applied using a transferware technique or hand-painted underglaze, consistent with late 20th-century decorative chinoiserie style. The condition appears to be excellent with no visible cracks, chips, or significant crazing, though some minor dust and age-related wear on the wooden base can be observed. The craftsmanship suggests a mass-produced but high-quality decorative export, typical of pieces originating from China during the 1980s or 1990s.
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Estimated Value
$125 - $225
Basic Information
Category
Decorative Arts / Asian Ceramics
Appraised On
February 7, 2026
Estimated Value
$125 - $225
Item Description
This item is a decorative porcelain object shaped like a large egg, featuring a classic blue and white color scheme. The primary color is a deep cobalt blue glaze, which serves as a vibrant backdrop for the dense pattern of light blue or white stylized daisies or floral blooms that cover the entire surface. The egg is mounted on a carved, dark-colored wooden stand that appears to be made of mahogany or rosewood, providing stability and a contrasting aesthetic. In terms of size, it appears to be a significant tabletop piece, likely standing between 10 to 14 inches tall including the base. The construction is ceramic with a smooth, high-gloss glazed finish that reflects light. The floral pattern is likely applied using a transferware technique or hand-painted underglaze, consistent with late 20th-century decorative chinoiserie style. The condition appears to be excellent with no visible cracks, chips, or significant crazing, though some minor dust and age-related wear on the wooden base can be observed. The craftsmanship suggests a mass-produced but high-quality decorative export, typical of pieces originating from China during the 1980s or 1990s.
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