Chinese-style relief landscape panels

This pair of framed decorative panels features reliefs of mountain landscapes consistent with traditional Chinese artistic themes. The landscapes appear to be constructed from various inlaid materials such as shell, soapstone, or composite resins, creating a three-dimensional effect against a light tan or gold-toned background. The scenes depict stylized green mountains, trees with orange and yellow foliage, and architectural elements including a pagoda and a small hut. Various Chinese characters are visible at the tops and sides of the panels, which may represent titles, locations, or poems, though they remain unverified as to their specific meaning or authenticity. Each panel is housed in a dark reddish-brown wooden or wood-look frame featuring a simulated bamboo-joint carving, typical of mid-to-late 20th-century decorative imports. Condition-wise, the frames show minor surface wear, and a white price sticker is visible on the glass of the rightmost panel. The identification as 'Chinese-style' is based on the iconography and calligraphy used, though without a physically inspectable maker's mark or label, a specific workshop or age cannot be attributed.

I have examined the provided image of these Chinese-style relief landscape panels. Based on what I can see, these appear to be mid-to-late 20th-century decorative imports utilizing inlaid materials like soapstone or shell to create a three-dimensional effect. The frames feature a simulated bamboo-joint carving consistent with mass-produced Chinoiserie exports from the 1960s through the 1980s. I cannot verify from a photo whether the materials are natural stone or a composite resin, nor can I read the calligraphy to determine if it represents a known literary work or is purely decorative. The value estimate of $150–$350 is based on the assumption that these are vintage decorative pieces in good condition. Objects of this type are common in the secondary market; if they were found to be modern reproductions or featured significant damage hidden by the glass, the value would likely drop below $75. Conversely, if a physical inspection confirmed the materials were high-quality semi-precious stones or identified a specific reputable workshop, the value could reach the higher end of the range. To establish a more precise valuation, an in-person examination is necessary to check for artisan marks, verify the composition of the inlay, and assess the frames for genuine wood vs. molded plastic. Market demand for this specific style of Chinoiserie remains steady for interior design purposes, but they do not typically command the high prices of antique or period-correct scholarly objects. This appraisal assumes the items are as described and would require provenance or expert material analysis to confirm any higher historical significance.