Untitled Latin Cross Mixed Media Assemblage by Gregory

This contemporary 16 x 20 inch wall-mounted sculpture by the artist Gregory features a central Latin cross rendered in a highly textured, industrial style. The base appears to be a rigid rectangular panel, possibly wood or metal, coated in a matte, charcoal-black finish. The central cross motif is constructed using a heavy impasto technique or molten material, such as lead, solder, or thick resin, giving it a rough, pitted, and slag-like texture. The silver-toned metallic highlights on the cross contrast sharply against the dark, grimy background. Notable physical details include irregular bordering along the top and right edges that mimic the corroded texture of the cross. The surface of the background shows intentional distressing, including scuffs, faint smudges, and variations in the black pigment that suggest an urban or brutalist aesthetic. While no explicit maker's marks are visible on the front, the piece demonstrates a deliberate, raw craftsmanship style typical of late 20th to early 21st-century contemporary assemblage. The condition is consistent with the artist's intent, showing no signs of accidental damage but rather a curated 'weathered' patina. This piece explores themes of spirituality through a gritty, industrial lens.

I have virtually examined this 16 x 20 inch mixed media assemblage titled 'Untitled Latin Cross' by Gregory. The work presents a compelling Brutalist interpretation of religious iconography through industrial materiality. The condition appears excellent, with the 'weathered' patina and slag-like textures appearing as intentional aesthetic choices rather than post-production damage. The heavy impasto and metallic silver highlights suggest a high level of technical competency in handling volatile materials like solder or molten resin. The current market for contemporary industrial-religious art remains stable, particularly for mid-sized wall-mounted sculptures. Comparables for works by emerging-to-mid-career contemporary artists featuring found-object or assemblage techniques typically range from $800 to $2,500. The rarity of this piece is bolstered by its unique texture; no two pours in this industrial style are identical. However, there are significant limitations to this appraisal based on photographic analysis alone. A definitive valuation is hampered by the lack of visible signatures or documented provenance. To fully authenticate this work, I would require a physical inspection to examine the reverse for maker's marks, verify the weight and substrate materials (wood vs. metal), and review any original gallery receipts or certificates of authenticity. Scientific testing, such as spectroscopy, could identify the specific metallic bonding agents used, which helps in assigning the work to a specific period of Gregory’s career. Values for unauthenticated or 'attributed' works often decrease by 40-60%. Provided the artist's signature or provenance is confirmed, the estimated fair market value is $1,200 to $1,800.