
Mixed Media Sculpture by Diane Deyo
This contemporary mixed media sculpture is a distinct work by artist Diane Deyo, known for her intricate fiber and sculptural vessels. The piece stands on a square, dark charcoal-colored plinth base. The main sculptural form is a tall, four-sided vessel with a slightly tapered bottom, resembling a stylized shield or architectural element. Its construction utilizes a frame of verdigris-patinated copper or treated fabric that mimics aged metal, featuring prominent hand-stitched seams along the vertical edges. Each of the four sides contains inset panels filled with bundled, deep-red dyed sticks or reed-like fibers arranged in a parallel, diagonal orientation. These reed panels are framed by heavy, decorative stitching in a contrasting earth tone. The texture is complex, blending the industrial feel of the verdigris exterior with the organic, rhythmic quality of the interior bundles. The condition appears excellent with no visible damage to the fibers or joints; several small light-colored spots on the red reeds appear to be natural texture or intentional artist details rather than wear. This piece exemplifies the studio craft movement of the late 20th or early 21st century, focusing on the intersection of textile techniques and structural form.
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Estimated Value
$1,200 - $1,850
Basic Information
Category
Contemporary Studio Craft / Mixed Media Sculpture
Appraised On
March 13, 2026
Estimated Value
$1,200 - $1,850
Additional Details Provided By Owner
User Provided Information
Diane deyo
Item Description
This contemporary mixed media sculpture is a distinct work by artist Diane Deyo, known for her intricate fiber and sculptural vessels. The piece stands on a square, dark charcoal-colored plinth base. The main sculptural form is a tall, four-sided vessel with a slightly tapered bottom, resembling a stylized shield or architectural element. Its construction utilizes a frame of verdigris-patinated copper or treated fabric that mimics aged metal, featuring prominent hand-stitched seams along the vertical edges. Each of the four sides contains inset panels filled with bundled, deep-red dyed sticks or reed-like fibers arranged in a parallel, diagonal orientation. These reed panels are framed by heavy, decorative stitching in a contrasting earth tone. The texture is complex, blending the industrial feel of the verdigris exterior with the organic, rhythmic quality of the interior bundles. The condition appears excellent with no visible damage to the fibers or joints; several small light-colored spots on the red reeds appear to be natural texture or intentional artist details rather than wear. This piece exemplifies the studio craft movement of the late 20th or early 21st century, focusing on the intersection of textile techniques and structural form.
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