Carved Wooden Water Buffalo with Riders Sculpture

This is a carved wooden sculpture depicting a water buffalo with two human figures riding on its back, all mounted on a separate, intricately carved wooden base. The sculpture is crafted from a medium-brown wood, likely a hardwood variety given its fine grain visible in some areas and the apparent density. The primary color is a natural wood tone, exhibiting variations in shade consistent with the grain and depth of carving, possibly enhanced by a light stain or protective finish. The water buffalo is rendered with robust, somewhat stylized features, including prominent horns curving backward and slightly inward. Its eyes are distinct, appearing to be inlaid with a lighter material, possibly bone or light-colored wood, providing a contrasting focal point against the darker wood. The body of the buffalo shows simplified musculature and texture, indicating a traditional carving style. On its back, two human figures are seated. The larger, front figure is depicted in a squatting or kneeling position, wearing simple robes with incised lines suggesting folds of fabric. This figure has distinct facial features, including a smiling expression. Behind this figure, a smaller, younger figure is perched, also in robes, with less detailed but discernible features. Both figures appear to have a joyful or contented demeanor. The entire animal and rider assembly is affixed to a decorative, openwork wooden base. This base features scrolling, organic forms and cut-out sections, providing stability and elevating the main sculpture. The craftsmanship appears to be of good quality, with attention paid to the details of the figures and the overall composition. There are visible signs of dust accumulation in crevices, suggesting it has been displayed for some time. No major cracks, chips, or significant damage are immediately apparent from the image, but the surface shows a slight sheen that could indicate a polished or oiled finish, and signs of gentle wear consistent with age and handling. The style suggests an East Asian origin, possibly Chinese or Southeast Asian, and could date from the mid-20th century or later given the smooth finish and lack of overt antique patina, though precise dating without further inspection is difficult. The carving technique is detailed, particularly on the figures' faces and drapery, suggesting skilled handiwork. The overall impression is one of a decorative cultural art piece, likely intended for display.