
Academic Male Nude Study
This is an academic study of a male nude, executed in pencil or charcoal on cream-colored drawing paper. The artwork depicts a standing male figure, presented from a slightly elevated eye-level perspective, facing right in profile with his head turned, looking towards the right. The figure is solidly built, showcasing well-defined musculature in the chest, shoulders, and legs, indicative of a trained or athletic physique. His right leg is slightly bent at the knee, with his foot flat on the ground, while his left leg is extended back, with only the toes making contact, suggesting a dynamic, almost preparatory stance. The rendering employs strong chiaroscuro, utilizing a range of tones from light grays to dark blacks to create volume and form, particularly noticeable in the shadows cast beneath the limbs and torso. The artist has paid careful attention to anatomical detail, emphasizing the contours and planes of the body. The color palette is monochromatic, relying solely on the varying shades of the drawing medium against the slightly aged paper. The paper itself appears to be a heavy stock, exhibiting some minor discoloration and potential foxing along the top and bottom edges, suggesting age. There are no discernible artist's signatures or marks visible within the provided image. The style is characteristic of traditional academic drawing, often associated with art school practices from the late 19th or early 20th century, where studying the human form was a fundamental exercise.
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Estimated Value
$600-900
Basic Information
Category
Drawing
Appraised On
September 17, 2025
Estimated Value
$600-900
Item Description
This is an academic study of a male nude, executed in pencil or charcoal on cream-colored drawing paper. The artwork depicts a standing male figure, presented from a slightly elevated eye-level perspective, facing right in profile with his head turned, looking towards the right. The figure is solidly built, showcasing well-defined musculature in the chest, shoulders, and legs, indicative of a trained or athletic physique. His right leg is slightly bent at the knee, with his foot flat on the ground, while his left leg is extended back, with only the toes making contact, suggesting a dynamic, almost preparatory stance. The rendering employs strong chiaroscuro, utilizing a range of tones from light grays to dark blacks to create volume and form, particularly noticeable in the shadows cast beneath the limbs and torso. The artist has paid careful attention to anatomical detail, emphasizing the contours and planes of the body. The color palette is monochromatic, relying solely on the varying shades of the drawing medium against the slightly aged paper. The paper itself appears to be a heavy stock, exhibiting some minor discoloration and potential foxing along the top and bottom edges, suggesting age. There are no discernible artist's signatures or marks visible within the provided image. The style is characteristic of traditional academic drawing, often associated with art school practices from the late 19th or early 20th century, where studying the human form was a fundamental exercise.
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