Hand-thrown ceramic vessel in the style of studio pottery

This item appears to be a small hand-thrown ceramic vessel, potentially a cup or planter, featuring a tapered body and an unglazed or lightly glazed base. The exterior is coated in a dark, possibly deep-blue or black glaze that exhibits subtle variations in tone and texture, consistent with artisanal studio pottery. The interior displays a more vibrant, mottled blue glaze, suggesting a double-glazing technique. The base reveals the natural reddish-brown color of the clay body, which appears to be a stoneware or terracotta. Stylistically, the piece is consistent with 20th or 21st-century contemporary craft. The user-supplied information claims the piece is signed by 'Hannah Scott'; however, no signature is visible in the provided image to verify this attribution. Without physical inspection, the maker's mark remains unconfirmed. The piece shows a smooth finish on the upper portions with some minor surface inconsistencies that are typical of handmade items rather than mass-produced ware. No significant cracks or chips are visible, though the lighting masks fine surface details.

I have reviewed the image for this hand-thrown ceramic vessel. Based on what I can see, the piece displays characteristics of contemporary studio pottery, including a multi-tonal glaze and a visible clay foot consistent with stoneware. Per user submission, the piece is attributed to artist Hannah Scott; however, I cannot verify this from a photo as no signature is visible in the provided image. My estimate assumes the attribution is correct and that the vessel is in good condition without hidden repairs. For a piece of this scale and type associated with a contemporary maker, its value is driven by the artisan's market presence. Similar handmade vessels currently see a steady demand in the regional crafts market. This value would likely decrease to under $40 if the piece is unattributed or by an unknown hobbyist. To confirm the identity and value, a physical inspection is necessary to locate the specific maker's mark or signature and to confirm the absence of internal fractures. Documented provenance or a purchase receipt from a recognized gallery would also be required to support the higher end of this estimation range.