Iridescent Faceted Art Glass Vase

This item is a decorative, tall, tapered flower vase featuring a vertical faceted or 'flame' texture. The vase is constructed from molded glass with an iridescent 'aurora borealis' or carnival glass finish that reflects a spectrum of colors including gold, pink, blue, and green depending on light refraction. Its body is composed of interlocking leaf-like or wave-like relief patterns that wrap around the circumference, creating a prismatic effect. The top rim is slightly undulating due to the exterior texture, while the base appears to be a solid, flat-ground hexagonal or circular footprint. In terms of condition, the glass shows high clarity with no immediate signs of chips, cracks, or heavy scratching, though light surface wear consistent with handling is expected. There are no visible maker's marks or signatures in the photograph, suggesting it may be a contemporary mass-produced item from the late 20th to early 21st century rather than a vintage studio art piece. The craftsmanship is clean, with the iridescent coating evenly applied without significant pooling or peeling. Its style combines mid-century modern geometric elements with a whimsical, polychromatic finish.

Based on my visual examination of the iridescent faceted art glass vase, I have determined the piece to be a contemporary decorative item, likely manufactured in the late 20th or early 21st century. The vase features a molded ‘flame’ or vertical leaf texture with an iridescent luster finish, mimicking the 'Carnival Glass' aesthetics of the early 1900s but with modern manufacturing hallmarks. The execution is clean, showing high clarity and an even application of the vapor-deposited metallic coating. Market conditions for non-signed, mass-produced art glass remain stable but modest. The value is driven primarily by decorative appeal rather than collector rarity. Comparable items from retailers like West Elm, Anthropologie, or mid-market decor brands typically retail in this price bracket. The absence of a maker’s mark (such as Fenton, Northwood, or a known studio artist) significantly limits the upside potential, as the piece cannot be attributed to a specific prestigious designer or lineage. Condition appears excellent with no visible flea bites or 'sick' glass (clouding). However, the primary limitation of this appraisal is the inability to physically inspect the base for a pontil mark or acid-etched signature, which are often hidden in the texture. To provide a definitive authentication, I would require an in-person inspection to verify the weight of the glass, search for micro-signatures under UV light, and check for the presence of lead (crystal content). Provenance documentation or original packaging would further clarify its origin. Without these, the item is valued as a high-quality decorative object rather than a fine art investment.