Studio pottery vessel in celadon-style glaze

This small ceramic vessel appears to be handcrafted studio pottery, featuring a globular body with a flared, waisted neck and a wide rim. The piece is finished in a mottled celadon-green glaze that exhibits subtle variations in tone and texture. The rim is accentuated by a dark, metallic-looking glaze, possibly a tenmoku or iron-rich slip, which creates a rustic contrast. The base appears to have a band of blue-toned glaze or slip, though lighting makes specific pigment identification difficult. While the owner notes a signature reading 'Hannah Scott,' no markings are visible in the provided image to verify this claim. The piece is stylistically consistent with late 20th-century or contemporary studio pottery, emphasizing organic forms and reactive glazes. The vessel shows no obvious cracks or chips in the image, though close inspection of the unglazed foot or interior would be necessary for a full condition report. The hand-thrown quality is evident in the slightly irregular profile, which is common in artisanal functional ware.

Based on the provided image and description, I have evaluated this ceramic vessel as a piece of contemporary studio pottery. The owner identifies the piece as being signed by 'Hannah Scott,' though this signature is not visible in the photographs provided for my review. Consequently, my valuation is a hypothesis based on the assumption that the signature exists and is consistent with known works by this potter. From what I can see, the vessel features a globular form with a reactive celadon-style glaze and a dark, possibly iron-rich, rim. The hand-thrown nature is evident in its slightly irregular profile. Without a physical inspection, I cannot verify the exact composition of the glaze or the presence of any internal defects or structural repairs. The current market for contemporary studio pottery is driven by both aesthetic appeal and the reputation of the maker. If the attribution to Hannah Scott is correct and the piece is in excellent condition, it aligns with a modest market value for functional sculptural ware. However, this estimate assumes the piece is not a reproduction or a work 'in the style of' the named artist. Should the piece be unidentifiable or by a different, less-collected student potter, the value would likely decrease to a decorative range of $15-$30. To reach a more stable conclusion regarding its identity and worth, an in-person examination by a ceramics expert and a clear photograph of the base/signature would be required. This valuation represents a fair market estimate for a signed example of this size and style in a retail or gallery setting.