
Vintage Damascene Bird and Floral Brooch
This is a circular damascene brooch, likely of Spanish or Japanese origin, dating from the mid-20th century. The piece features a central black oxidized steel or enamel disc measuring approximately 30-35mm, inlaid with 18K or 24K gold and silver foil (Zougan technique). The central motif depicts a traditional bird—possibly a phoenix or songbird—surrounded by intricate floral arabesques and scrolling foliate patterns. This decorative disc is encased in a highly ornate, scalloped gold-tone metal frame with openwork filigree detailing that adds significant texture and visual width to the piece. The construction suggests a high-quality hand-chased artistic process typical of Toledoware. Condition-wise, the gold inlay remains vibrant against the dark ground, though minor surface scratches and pin-sized oxidation spots are visible upon close inspection, particularly near the four prongs holding the central disc. The filigree border shows light tarnishing and wear to the gilding on the high points, consistent with age and occasional use. There are no immediately visible maker's marks on the front, but the craftsmanship suggests a mid-tier artisan studio specializing in exported metalwork jewelry.
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Estimated Value
$65 - $110
Basic Information
Category
Vintage Jewelry / Brooches
Appraised On
May 4, 2026
Estimated Value
$65 - $110
Item Description
This is a circular damascene brooch, likely of Spanish or Japanese origin, dating from the mid-20th century. The piece features a central black oxidized steel or enamel disc measuring approximately 30-35mm, inlaid with 18K or 24K gold and silver foil (Zougan technique). The central motif depicts a traditional bird—possibly a phoenix or songbird—surrounded by intricate floral arabesques and scrolling foliate patterns. This decorative disc is encased in a highly ornate, scalloped gold-tone metal frame with openwork filigree detailing that adds significant texture and visual width to the piece. The construction suggests a high-quality hand-chased artistic process typical of Toledoware. Condition-wise, the gold inlay remains vibrant against the dark ground, though minor surface scratches and pin-sized oxidation spots are visible upon close inspection, particularly near the four prongs holding the central disc. The filigree border shows light tarnishing and wear to the gilding on the high points, consistent with age and occasional use. There are no immediately visible maker's marks on the front, but the craftsmanship suggests a mid-tier artisan studio specializing in exported metalwork jewelry.
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