
Vintage Glazed Porcelain Figurine of a Woman in a Sun Hat
This is a slender, vertically oriented porcelain figurine of an elegant lady. The piece is crafted from white ceramic with a high-gloss glazed finish throughout. She is shown wearing a wide-brimmed pink sun hat that frames her face, which features minimal hand-painted details including red lips and simple black eyes. She is dressed in a long, floor-length white gown accented with subtle gold-toned bands at the waist and cuffs. The base of the dress is adorned with small, applied three-dimensional ceramic flowers in pastel shades of pink, yellow, and purple, accompanied by a soft pink gradient wash near the hemline. One hand is raised daintily toward her chin, while the other hangs at her side. The construction suggests a mid-20th-century aesthetic, likely produced in the late 1960s to 1980s. While no maker's mark is visible from this angle, the style is reminiscent of mass-produced Japanese or Taiwanese imports of that era. The condition appears fair; however, the delicate applied flowers on the skirt are highly susceptible to chipping, and there may be minor wear to the gold gilding on the wrists and waist. The glaze remains bright with no visible crazing or major cracks in the main body.
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Estimated Value
$25.00 - $45.00
Basic Information
Category
Collectibles - Porcelain Figurines
Appraised On
March 22, 2026
Estimated Value
$25.00 - $45.00
Item Description
This is a slender, vertically oriented porcelain figurine of an elegant lady. The piece is crafted from white ceramic with a high-gloss glazed finish throughout. She is shown wearing a wide-brimmed pink sun hat that frames her face, which features minimal hand-painted details including red lips and simple black eyes. She is dressed in a long, floor-length white gown accented with subtle gold-toned bands at the waist and cuffs. The base of the dress is adorned with small, applied three-dimensional ceramic flowers in pastel shades of pink, yellow, and purple, accompanied by a soft pink gradient wash near the hemline. One hand is raised daintily toward her chin, while the other hangs at her side. The construction suggests a mid-20th-century aesthetic, likely produced in the late 1960s to 1980s. While no maker's mark is visible from this angle, the style is reminiscent of mass-produced Japanese or Taiwanese imports of that era. The condition appears fair; however, the delicate applied flowers on the skirt are highly susceptible to chipping, and there may be minor wear to the gold gilding on the wrists and waist. The glaze remains bright with no visible crazing or major cracks in the main body.
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