Vintage Framed Holy Family Lithograph
Religious Art & Ephemera

Vintage Framed Holy Family Lithograph

This is a vintage framed print, likely a lithograph on paper, depicting the Holy Family: Saint Joseph, the Virgin Mary, and the Child Jesus. The artwork is characterized by a mid-20th-century devotional style, featuring soft, rounded facial features and a vivid color palette of gold, blue, and terracotta tones. Saint Joseph is shown holding a blossoming lily, a traditional iconographic symbol of purity, while all three figures possess thin, golden halos. The print is housed behind glass in a tiered, cove-profile frame with a metallic bronze-gold finish. The construction suggests a mid-century mass-produced religious article, commonly found in Catholic households during the 1940s-1960s. The framing shows some minor scuffing and light surface wear consistent with age, but no major structural damage or moisture staining is visible on the print itself. There is a prominent vertical reflection on the glass from the photography environment. The overall craftsmanship represents standard assembly-line production of the era, focusing on accessible religious imagery rather than fine art gallery standards.

Estimated Value

$45-75

Basic Information

Category

Religious Art & Ephemera

Appraised On

March 2, 2026

Estimated Value

$45-75

Item Description

This is a vintage framed print, likely a lithograph on paper, depicting the Holy Family: Saint Joseph, the Virgin Mary, and the Child Jesus. The artwork is characterized by a mid-20th-century devotional style, featuring soft, rounded facial features and a vivid color palette of gold, blue, and terracotta tones. Saint Joseph is shown holding a blossoming lily, a traditional iconographic symbol of purity, while all three figures possess thin, golden halos. The print is housed behind glass in a tiered, cove-profile frame with a metallic bronze-gold finish. The construction suggests a mid-century mass-produced religious article, commonly found in Catholic households during the 1940s-1960s. The framing shows some minor scuffing and light surface wear consistent with age, but no major structural damage or moisture staining is visible on the print itself. There is a prominent vertical reflection on the glass from the photography environment. The overall craftsmanship represents standard assembly-line production of the era, focusing on accessible religious imagery rather than fine art gallery standards.

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