Peruvian Cusco School Painting of Madonna and Child

This is a two-dimensional artwork depicting the Madonna and Child, consistent with the style of Peruvian Cusco School art. The painting features the Virgin Mary, shown in a frontal or slightly three-quarter pose, cradling the infant Jesus. Mary is adorned in elaborate robes and a veil, predominantly dark tones, likely black or deep blue, enriched with intricate gold and silver-toned patterns that suggest embroidery or brocade. The patterns are highly stylized, featuring floral or curvilinear motifs, indicative of Colonial Baroque influence often seen in Cusco art. Jesus, depicted as an infant, is partially draped in a patterned cloth, possibly reddish-brown or dark maroon with white polka dots, and has fair skin. Both figures have halos, with Mary's halo radiating light outwards in a sunburst pattern with white rays, and stars are interspersed in the dark background around her head. The background is a dark, indeterminate space, possibly suggesting night or a void, with white floral elements visible to the left of the Virgin. The painting appears to be executed on a rigid support, possibly stretched canvas or panel, and is framed by a border of what appears to be a light brown or gold color, giving it a somewhat rustic or aged appearance. The visible texture suggests impasto or layers of paint, particularly in the decorative elements. The overall condition shows some visible wear, including what might be small cracks or losses in the paint layer, particularly along the edges and within the background, consistent with its age. There is a faint inscription or signature in the upper right corner, partially visible, which reads 'LAVRA (?)N. C. CRIS'. The craftsmanship is notable for its detailed ornamentation and the expressive faces of the figures, common characteristics of Cusco School paintings which blend European religious iconography with native Andean artistic traditions. The coloring is rich and vibrant despite potential age-related patina.